Spatial Assemblages : Processual Circulations.: August 2012

Earthworks 2012 ~2, a photo by Russell Moreton on Flickr.

Map from a ceramic vessel.

Introspective site inquiry, lead,timber and plumb-line on paper.2010 by Russell Moreton

Introspective site inquiry, lead,timber and plumb-line on paper.2010, a photo by Russell Moreton on Flickr.

Working drawing/site situated on a mezzanine floor in a converted "Chapel of Rest" .

Chapter Twelve :, a photo by Russell Moreton on Flickr.

THE FEAST OF SKULLS

Now he would have to go forward. Both the past, represented by Riggs, and now the present contained within the demolished penthouse, no longer offered a viable existence. His commitment to the future, so far one of choice and plagued by so many doubts and hesitations, was now absolute.

JG Ballard, The Drowned World.

SPACE DSC_3799a, a photo by Russell Moreton on Flickr.

Assemblage of cyanotype ( Space for Peace, Winchester Cathedral 2011) antique glass sheet, small piece of foam and palette of glass samples arranged in a geometric structure, photographed against marks on the studio wall from another event.

Layered drawing, a photo by Russell Moreton on Flickr.

Repin Edit Comment

Set Board Cover

Blueprinted Evidence

by Russell Moreton

flickr.com

via pinterest.com

The Garden : Diagram, template and observational record. #1 by Russell Moreton

The Garden : Diagram, template and observational record. #1, a photo by Russell Moreton on Flickr.

Site drawing from "a pathway between sunrise and sunset" staged at Kilquhanity, Scotland 2011. This research has led to notions of architectural "interventions" and " footprints" through the direct observational mapping of celestial alignments and movements as they permeate with the landscape.

Praxis. #2, a photo by Russell Moreton on Flickr.

The Drawing Board, a photo by Russell Moreton on Flickr.

Reactor (the mind and visual consciousness) 2011 by Russell Moreton

Reactor (the mind and visual consciousness) 2011, a photo by Russell Moreton on Flickr.

Site drawing generated by remnants of creative inquiry, chance and the confluence of light.

(merging space) St Nicholas : Kingsley,Hampshire. by Russell Moreton

(merging space) St Nicholas : Kingsley,Hampshire., a photo by Russell Moreton on Flickr.

Intrinsic components of object and place.
Pinhole photograph merging the space of architecture between the interior and the exterior.

DSC_4709a Vacuity: Space and Surface. by Russell Moreton

DSC_4709a Vacuity: Space and Surface., a photo by Russell Moreton on Flickr.

“When Orpheus descends to Eurydice, art is the power that causes the night to open. Because of the power of art, the night welcomes him; it becomes the welcoming intimacy , the understanding and the harmony of the first night. But Orpheus has gone down to Eurydice: for him, Eurydice is the limit of what art can attain; concealed behind a name and covered by a veil. she is the profoundly dark point towards which art, desire, death, and the night all seem to lead. She is the instant in which the essence of the night approaches as the other night.”
— The Gaze of Orpheus: Maurice Blanchot.