Thursday, 30 August 2012
Wednesday, 29 August 2012
Visual Complexity: Creating a personal cosmology ., a photo by Russell Moreton on Flickr.
Monday, 27 August 2012
Tuesday, 21 August 2012
Introspective site inquiry, lead,timber and plumb-line on paper.2010, a photo by Russell Moreton on Flickr.
Working drawing/site situated on a mezzanine floor in a converted "Chapel of Rest" .
Sunday, 19 August 2012
THE FEAST OF SKULLS
Now he would have to go forward. Both the past, represented by Riggs, and now the present contained within the demolished penthouse, no longer offered a viable existence. His commitment to the future, so far one of choice and plagued by so many doubts and hesitations, was now absolute.
JG Ballard, The Drowned World.
Assemblage of cyanotype ( Space for Peace, Winchester Cathedral 2011) antique glass sheet, small piece of foam and palette of glass samples arranged in a geometric structure, photographed against marks on the studio wall from another event.
Saturday, 18 August 2012
An Armada for Childhood : Proposal for Southampton Art Vaults 08, a photo by Russell Moreton on Flickr.
Installation using large paper boats (1.5m long) in a space under the cities walls.
Friday, 17 August 2012
Thursday, 16 August 2012
Wednesday, 15 August 2012
The Garden : Diagram, template and observational record. #1, a photo by Russell Moreton on Flickr.
Site drawing from "a pathway between sunrise and sunset" staged at Kilquhanity, Scotland 2011. This research has led to notions of architectural "interventions" and " footprints" through the direct observational mapping of celestial alignments and movements as they permeate with the landscape.
Tuesday, 14 August 2012
Friday, 10 August 2012
Intrinsic components of object and place.
Pinhole photograph merging the space of architecture between the interior and the exterior.
Thursday, 9 August 2012
Wednesday, 8 August 2012
“When Orpheus descends to Eurydice, art is the power that causes the night to open. Because of the power of art, the night welcomes him; it becomes the welcoming intimacy , the understanding and the harmony of the first night. But Orpheus has gone down to Eurydice: for him, Eurydice is the limit of what art can attain; concealed behind a name and covered by a veil. she is the profoundly dark point towards which art, desire, death, and the night all seem to lead. She is the instant in which the essence of the night approaches as the other night.”
— The Gaze of Orpheus: Maurice Blanchot.
Tuesday, 7 August 2012
Monday, 6 August 2012
Disordered and overlaid registers,(detail)B&W image., a photo by Russell Moreton on Flickr.