Saturday, 29 June 2013

Cyanotype photogram,elderflower.

Drawing from the Body(detail #2) : Enmeshed Presences; Pencil,charcoal and local clay on paper.

Human Outline with Materials. (detail)

Drawing and Assemblage : Cyanotype process on watercolour paper with lead profiles.

Movements and Archaeology : Traces and Piercings (magnified view).

Cyanotype photogram from Winchester Cathedral with pinholes.

Architectural Abstract : Collage and Timber-frame. 2

Cultivating Stillness : Marks of Precision. Spaces of Indeterminacy.

Wednesday, 26 June 2013

Cyanotypes : Visual Inclusions, Winchester Library.

Pinhole Photography and Cyanotype Process.

Agency through drawing and objects

Street rubbing from Andover town centre, lead and masking tape strips, builders line, clay drying shelves,footprints in pencil and lead.

Space and Form #5 Drawing.

Space Drawing, derived from a ceramic form fired on the beach at St Ninian's Cave, Scotland 2012.

Cyanotype with pencil on pierced paper with pins, boxed mounted.

Land #3

Land #3 by Russell Moreton
Land #3, a photo by Russell Moreton on Flickr.

Experimental Photography : Life drawing, star map fragments on photographic paper.

Visual Resistivity : Site Grid #6

Monday, 24 June 2013

Situation/Architecture : Energy/Clay. Joseph Beuys, Tate Modern 2013. #2

Joseph Beuys : Table with Accumulator 1958-85

In this work, an accumulator – a kind of rechargeable battery in which energy can be stored - is attached by wires to two pieces of clay, as if drawing power from the earth itself. For Beuys, the production and storage of energy was a metaphor for the creative and spiritual energy that he wanted to foster both in the individual viewer and in society as a whole. This was one of the works that Beuys included in the 1982 Zeitgeist exhibition, accompanying the various elements of Lightning with Stag in its Glare.

Aerial Composition (movements inside the Cathedral) : Cyanotype and Sunlight.