Meditations on time.
Thursday, 22 March 2012
Tuesday, 20 March 2012
Life study/anatomical drawing, collage and tracing with shadow. Photogram with "thoughts" from a garden in Italy, Bomarzo.
Surface of processes, an underpinned figure and ground., a photo by Russell Moreton on Flickr.
Figure and ground made from material gathered from a walk along a Jurassic coastline.
Monday, 19 March 2012
Human trace drawing with unfired clay bodyscape 2010, a photo by Russell Moreton on Flickr.
Creative geographies, twinning's of form and template.
Sunday, 18 March 2012
“When Orpheus descends to Eurydice, art is the power that causes the night to open. Because of the power of art, the night welcomes him; it becomes the welcoming intimacy , the understanding and the harmony of the first night. But Orpheus has gone down to Eurydice: for him, Eurydice is the limit of what art can attain; concealed behind a name and covered by a veil. she is the profoundly dark point towards which art, desire, death, and the night all seem to lead. She is the instant in which the essence of the night approaches as the other night.”
— The Gaze of Orpheus: Maurice Blanchot.
Saturday, 17 March 2012
Fragmented vessel of the body.2010 Raw clay and silica sand, a photo by Russell Moreton on Flickr.
In-situ sculptural installation becoming reconstituted back to its material (plastic) state.
Thursday, 15 March 2012
Working Titles. Architectural Space, Natural History and Duration 2011, a photo by Russell Moreton on Flickr.
Anachronistic Practices: experimental processes and drawings.
Sunday, 11 March 2012
Friday, 9 March 2012
Drawing, tissue paper, tape, body outline with astronomical data on paper., a photo by Russell Moreton on Flickr.
Human trace, inquiry around "finiteness"
Monday, 5 March 2012
Personal biography, a collage of interests.Collage as a personal biographical device or document from which to entrust an account of relations (history). Towards a standard. Raku-english slipware- stoneware-porcelain. Clays. The making of clay shapes. Decoration. Pigments and glazes. Kilns. The workshop.
Tracing Light #4.Architectural Memory/Liminal Spaces., a photo by Russell Moreton on Flickr.