Thursday, 28 February 2013

Fertility and Pregnancy : Collage

Square Space : Contents Processed

Hidden spaces, reclamations and voids

Drawing/collage for sculptural panel in clay and mixed media.

Collage for architectural screen,Amelia with paper boats

Myth and material around the "human condition"

Research collage,full page. 15.01.2011

Pinhole from research collage 15.01.2011.

Tuesday, 26 February 2013

Merging Identities : Collage and Photogram.

Shadows of Differentiation/ Meshing Boundaries #2

Inertia, material,agency.23.02.2011.

Plan Chest Drawer, open.

Panspermia, Spatial Collage 2010

Panspermia Exodus 2011

Tracks and Alignments #1

Tuesday, 19 February 2013

Photograph (1006) Spatial Lab

Collage, Diversions, Contradictions and anomalies : Sally O'Reilly

View photos from you or from everyone
spatial[x]process[x]inquiry[x]material[x]colour[x]place[x]agency[x]creative[x]traces[x]forms[x]visual marks[x]frames[x]superimposition[x]collage[x]capacity[x]depth[x]perspective[x]time based[x]coordinates[x]mapping[x]textual[x]dimensions[x]masks[x]production of space[x]proposals[x]blueprint[x]plan[x]architectural[x]conduit[x]art practices[x]russell moreton[x]experimental[x]alternative[x]abstract[x]esoteric[x]interests[x]designs[x]stimuli[x]exploration[x]language[x]social[x]public[x]local[x]global[x]projections[x]visionary present[x]post modern condition[x]

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Tuesday, 12 February 2013

Link Gallery Winchester 2009

Link Gallery Winchester 2009

Chalk figure,human body with local materials.

Artist Statement, re proposal for “Strong Voices”. Hyde 900 2010

It is my intension to utilise the ambiguous and strangely intimate nature of a continuous line around a human being to act as a site for the viewer to inhabit an engagement with the work. I am interested in utilizing the “open space” the territory within the traced outline as a sort of vessel for the temporary thoughts and reflections of others. This space hopes to set up a condition, a place that allows a dispassionate observer or thinker time to find and form their own thoughts. The use of material residues left from enactments seems to concur a metaphysical presence to that of the inner trace. The use of simple materiality (clay, chalk, rust) invokes a notion of a shared simple relation, to the human form; these sensibilities are reflected in artists like Giuseppe Penone and other Arte Povera artists. The use of light sensitive materials, liquid light and cyanotype brings the representation of worlds into proximity of a human absence. Photographic processes also bring with them a surface of compressed and superimposed time, an event through which time has left behind, like the trace we are left thinking and reflecting a loss that creates equilibrium in the present. To add a presence of temporality and nowness, water vapour has been sprayed onto the chalk creating moisture a breath around absences.

Russell Moreton

Space Frames (detail).

Orientations #1

Orientations #1  by Russell Moreton
Orientations #1 , a photo by Russell Moreton on Flickr.

Terrain and Intersections.

Tuesday, 5 February 2013

Artists Book : Leylines. Pages from the chamber (776)

Biosphere 2012. Russell Moreton

Oxford Dictionary of Geography: spatiality

The effect that space has on actions, interactions, entities, concepts, and theories. Physical spatiality can also be metaphorical. It is used to show social power—thrones are higher than the seats of commoners, and ‘high tables’ for university teachers in most Oxbridge colleges physically elevate the teachers over the taught. People use proximity to show how intimate they want to be with others (See personal space), or orientation; we may face someone or turn away from them. Institutions and governments have used large architectural spaces to invoke awe, while restaurateurs may create ‘cosiness’ in small spaces.

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