Thursday 30 September 2021

Library and Observatory/Abstract Fields of Inquiry : A Meditation on the Human Condition (Giacometti, artist-philosopher)

process,celestial sphere,observation,Karen Barad,zenith,analogue,trails,film,astronomy,night skies,dust particles,voids,Night Train,#russell moreton,#spatial practice,time cavity,The Seeing,naked eye universe,Martin Amis,



Books can step up to us- into us- in many ways.
Voices from Chernobyl by Svetlana Alexievich was for me that rare precipitate force which calls another book into being.

Mario Petrucci, Heavy Water, a poem for Chernobyl.




Norman Lockyer Observatory, Seaton.


Celestial Sphere : Stars and Dust Particles. 




https://www.flickr.com/photos/russellmoreton/25942954484/in/dateposted-public/


Astronomical archive

Hawking understood black holes because he could stare at them. Black holes mean oblivion. Mean death. And Hawking has been staring at death all his adult life. Hawking could see.
Martin Amis, Night Train, 1997.

For Baudrilland the actual photographs are beside the point. It is what precedes them that counts in his eyes- the mental event of taking a picture.
Sylvere Lotringer, The Piracy of Art, 2008.


Entanglements of matter and meaning.

Karen Barad, Meeting The Universe Halfway, 2007.

Meeting the Universe Halfway is an ambitious book with far-reaching implications for numerous fields in the natural sciences, social sciences, and humanities. In this volume, Karen Barad, theoretical physicist and feminist theorist, elaborates her theory of agential realism. Offering an account of the world as a whole rather than as composed of separate natural and social realms, agential realism is at once a new epistemology, ontology, and ethics. The starting point for Barad's analysis is the philosophical framework of quantum physicist Niels Bohr. Barad extends and partially revises Bohr's philosophical views in light of current scholarship in physics, science studies, and the philosophy of science as well as feminist, poststructuralist, and other critical social theories. In the process, she significantly reworks understandings of space, time, matter, causality, agency, subjectivity, and objectivity. In an agential realist account, the world is made of entanglements of "social" and "natural" agencies, where the distinction between the two emerges out of specific intra-actions. Intra-activity is an inexhaustible dynamism that configures and reconfigures relations of space-time-matter. In explaining intra-activity, Barad reveals questions about how nature and culture interact and change over time to be fundamentally misguided. And she reframes understanding of the nature of scientific and political practices and their "interrelationship." Thus she pays particular attention to the responsible practice of science, and she emphasizes changes in the understanding of political practices, critically reworking Judith Butler's influential theory of performativity. Finally, Barad uses agential realism to produce a new interpretation of quantum physics, demonstrating that agential realism is more than a means of reflecting on science; it can be used to actually do science.




Tuesday 28 September 2021

The Photographic Body/Working Documents : Bacon/Muybridge/Beuys/Butler/Piper

The Human Figure in Motion
Eadweard Muybridge

Francis Bacon
In Camera
The Human Body
The Violence of The Real

John Deakin
Heinrich Zille
Rodin
Beuys

Reg Butler
Woman 1949

John Piper
Eye and Camera, Blue to Ochre, 1976















Monday 27 September 2021

Working Drawings/Beyond Education : Atelier and Scriptorium/Anarchism around the Abbey.

Spatial device within the ruined abbey. 

They will be schools no longer, they will be popular academies, in which neither pupils nor masters will be known, where the people will come freely to get, if they need it, free instruction, and in which, rich in their own experience, they will teach in turn many things to the professors who shall bring them knowledge which they lack.

This then will be a mutual instruction, an act of intellectual fraternity.

Michael Bakunin, 1870.

Freedom in Education/Anarchism, Colin Ward 2004.















Wednesday 22 September 2021

Slow Materials/Philosophy : Spaces beyond objects/The Movement of Ideas and Feelings

 







Loose Assemblages : The Movement of Ideas and Feelings

Bento's Sketchbook : John Berger

Existence appertains to the nature of substance.

A substance cannot be produced from anything else: it will therefore be its own cause, that is its essence necessarily involves existence, or, existence appertains to its nature.
Ethics, Part 1, Proposition VII, Proof


Conscious minds arise from establishing a relationship between organism and an object-to-be-known. 
The Feeling of What Happens, Body, Emotion and the Making of Consciousness
Antonio Damasio. 1999.

Architectural Body
Organism-Person-Environment

Drawing is a  form of probing. And the first generic impulse to draw derives from the human need to search, to plot points, to place things and to place oneself.

The Human Body through drawing and philosophy
Berger/Spinoza 141


Matters of a discursive consciousness are explicit and explainable, and the line between discursive and practical consciousness is fluctuating and permeable, both drawing on the other in the act of agency/making social.

The defining point of agency is namely its potential to transform the given.


Generative energies, entanglements, sensorial diversions from an open studio window overlooking Anglia Square

Improvisations/choreographed with the music/ambient noise are exploratory encounters  between flesh and sound

A hut of ones own (within and bounded by others), crafted and organized around simple processes and interactions within a fallow site given over to creative ecology of energies and enterprise

Vibrant yet curiously passive form of  urbanism

Affectivity as a mimesis of lively transfers between things, humans and non-humans

Human subjectivity : Mimetic Encounters/Explorations

Art works by gathering up forms and materials for affective experimentations in subjectivity

Corporeal unconscious animated by sensitivities/sympathies, a putative affinity (haptic) between certain things including bodies and organs which makes them liable not only to be similarly affected by the same influence, but more especially to affect or influence one another. 

Intentionality/Sympathy/Sentiment/Difference
Inducing a particular set of ethical/political/social responses in actor/social audience 

Mimesis : Paradox or Encounter. Jane Bennett

Calling a sympathy/subjectivity between coloured cloth/wallpaper/display cabinet and human flesh
Francesca Woodman

Mimesis and suggestion in the social,enacted through layers of mediation surrounding humans, objects and non-humans.


Camouflage. Neil Leach

Mimesis
Sensuous Correspondence
Sympathetic Magic
Mimicry
Becoming