Wednesday, 13 June 2018

Open Studio : Norfolk and Norwich 2018

Civilizing Rituals
Inside Public Art Museums
Carol Duncan

Julian Stair
Quietus reviewed
Archaeology of an exhibition

Spirituality in Contemporary Art
The Idea of the Numinous
Jungu Yoon

The Aesthetics of Silence
Susan Sontag

A Field Guide To Getting Lost
Rebecca Solnit

Essays On The Blurring Of Art And Life
Allan Kaprow

Ways of Curating
Hans Ulrich Obrist

The Fitzwilliam Museum, Cambridge

On Show : Contemporary ceramics in the Goodison gift in the context of a historic museum collection.

A rare opportunity to hear different perspectives on how the art of display can animate objects and deepen insight into historical collections.


The study day will draw on two current displays exclusive to the Fitzwilliam Museum: the Goodison gift of contemporary ceramics and the exhibition Things of Beauty Growing: British Studio Pottery. Speakers include four internationally-acclaimed UK ceramicists whose work features in both displays: Julian Stair, Carol McNicoll, Philip Eglin and Jennifer Lee. The study day concludes with a conversation between Amanda and Sir Nicholas Goodison, followed by the opportunity to share reflections on the subject.


Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art and Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.
Art in mind : How contemporary images shape thought
Ernst van Alphen

Walking and Mapping
Artists as Cartographers
Karen O'Rourke

A Bigger Splash
Painting after Performance
Catherine Wood 










































Art in Mind

Into Beautiful Privacy : The Blurring of Art and Life

Essays on The Blurring of Art and Life, Allan Kaprow
Kaprow_Allan_Essays_on_the_Blurring_of_Art_and_Life_with_Impurity_Experimental_Art_The_Meaning_of_Life_missing.pdf


Architectural Inquiry :  Medieval Windows
Architectural Inquiry : Archaeological Remains
Immaterial Architecture : Waverley Pavilion














Building The Drawing

The drawing as analogue allows more subtle relations, of technique, material and process, to develop between drawing and building.

Immaterial Architecture
The Illegal Architect
Jonathan Hill

Oak Tree
Oil
Paper
Plaster
Rust
Sgratfito
Silence
Sound
Steel
Television
Weather

Frosted Light
Index of immaterial architectures

TRANSPARENCY : LITERAL AND PHENOMENAL
Colin Rowe, Robert Slutzky

Interactions of the Abstract Body
Josiah McElheny

Object Lesson
Interactive Abstract  Body (Square)
The Spatial Body (After Fontana)

Tracing Eisenman
Stan Allen
Indexical Characters

FABRIC=MASS+ FORM
Alan Chandler
The interest in fabric formwork is in its deployment in a building process, which is faster than conventional formwork. Fabric formwork is inherently more sustainable due to the minimising of both concrete and shuttering, and more radically, allows the constructor to intervene in the process of casting even as the cast is taking place.


ANTI OBJECT
Kengo Kuma
We are composed of matter and live in the midst of matter. Our objective should not be to  renounce matter, but to search for a form of matter other than objects.
What that form is called- ARCHITECTURE, GARDENS< TECHNOLOGY is not important.

ReThinking Matereriality
The engagement of mind with the material world
Elizabeth DeMarrais, Chris Gosden, Colin Renfrew

The Affordances of Things
Towards a  Theory of Material Engagement
Aesthetics, Intelligence and Emotions
Relationality of Mind and Matter

Material Agency
Towards a Non-Anthropocentric Approach
Carl Knappett, Lambros Malafouris

At The Potter's Wheel : An Argument for Material Agency
We should replace our view of cognition as residing inside the potter's head, with that of cognition enacted at the potter's wheel.

The Neglected Networks of Material Agency : Artefacts, Pictures and Texts

Material Agency as Cognitive Scaffolding

The Cognitive Life of Things
Material Engagement and the Extended Mind
Lambros Malafouris, Colin Renfrew

Minds, Things and Materiality
Michael Wheeler

Communities of Things and Objects : A Spatial Perspective
Carl Knappett

Imagining the Cognitive Life of Things
Edwin Hutchins

Things and Their Embodied Environments
Architectures for Perception
Structuring Perception through Material Artifacts
Charles Goodwin

Leach Pottery, Studio and Museum
A Potter's Book
Bernard Leach

Adventures of the Fire, Vessels Through Time
Ceramic Pavilion
People make space, and space contains people
Ceramic space and life

Gordon Baldwin
Objects For A Landscape
David Whiting
Vessels-Spaces that cannot be drawn, rather they  need to be experienced.
Imagining a Vessel in a Rock on a Beach, 2006,(charcoal on paper)

The Architecture of The Ceramic Vessel
The use of the vessel in the investigation of our world.
The exploration through the dichotomy of the analysis between exterior and interior, of one pot to another and from  the message they convey.

MATERIAL MATTERS
ARCHITECTURE
AND MATERIAL PRACTICE
Katie Lloyd Thomas

PLENUMS : RETHINKING MATTER, GEOMETRY AND SUBJECTIVITY
Peg Rawes

ARCHITECTURE
IN THE AGE  OF DIVIDED REPRESENTATION
The Question of Creativity in the Shadow of Production
Dalibor Vesely
The Nature of Communicative Space
Creativity in the Shadow of Modern Technology
The Rehabilitation of Fragment
Towards a Poetics of Architecture

The Projective Cast
Architecture and its Three Geometries
Robin Evans
Architects do not produce geometry, they consume it

Analysing ARCHITECTURE
Simon Unwin
Geometries of Being
Architecture as Making Frames
Space and Structure


Friday, 11 May 2018

Cyanotype : Process and Conceptual Affinities


P3228227a : Engineering Blueprint on Watercolour Paper.
Slumped glass panel " evolved " from a head gasket (Hillman Imp) and a note recording failing compression readings.

Drawing and Assemblage : Cyanotype process on watercolour paper with lead profiles.

Terrestrial Movements  : #2  Solar Spore.

Space For Peace : Winchester Cathedral.















Thursday, 10 May 2018

Working Title : "you are immersed in an illusionary, yet sensate, world"

Space Between People

How the virtual changes physical architecture
Stephan Doesinger

This book shows how the virtual has completely changed the physical world around us. If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures - a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects - illustrate the mindbending possibilities of digital design. In the books final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.


Non Spaces : Fire escape Winchester School of Art

Meshworks/Norwich : Midway/Dante
Beginning as one always does in the middle, in mediis rebus, one experiences a sense of disorientation, a sort of cartographic anxiety or spatial perplexity that appears to be part of our fundamental being-in-the-world. It is an experience not unlike that of Dante, in the opening lines of his Commedia:

Midway along the journey of our life,
I woke to find myself in a dark wood,
for I had wandered off from the straight path.

( Dante 1984 : 67)
Introduction : Spatiality .
Robert T. Tally Jr.
the New Critical Idiom, Routledge 2013

Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

Transparent Folder : Tarkovsky Polaroids

Transparent Folder : Rodin - Beuys

Transparent Folder : The Politics of Things

Transparent Folder : Nineteen Eighty-Four





















Sunday, 6 May 2018

Clay Work : Visceral Practices

MAKING : Template and Form
Pastoral Space: Material, Inquiry and Craft.

CLAY : Speculative City : From Pilgrim to Tourist

From Pilgrim To Tourist (or a short history of identity). Zygmunt Bauman.

Clay drawing/situation/collage based on a performative script/reading.

Photo Memoir
Studio Space,The Yard 2, Winchester.

Material Agency : Carl Knappett, Lambros Malafouris
Visualising Environmental Agency

"Agents are defined as persons or things, which have the ability and intention to "cause" something "in the vicinity" or "in the mileau" to happen ( Gell 1998)"
"These latter artefacts are described with the term "index", to remove the appellation "art" and to imply that they are indexes of agency."
Some Stimulating Solutions, Andrew Cochrane.

A Potter's Book: Bernard Leach
Art and Agency,an anthropological theory: Alfred Gell
Michael Cardew : Pioneer Pottery

Auguries into the maternal body. Un-fired clay and silica sand.
Maternal Body : Clay Impression and Fragmented Form

Constructed in-situ at the Yard, Winchester. A life-size record and memory of a human presence as a site for mutual introspection.

Children Of Men : P D James














Thursday, 3 May 2018

Outpost : The Politics of Architecture/Literature

 Theorizing through speculative spatial practices.

"He rubbed his eyes. The riddle of his surroundings was confusing but his mind was quite clear - evidently his sleep had  benefited him. He was not in a bed at all as he understood the word, but lying naked on a very soft and yeilding mattress, in a trough of dark glass. The mattress was partly transparent, a fact he observed with a sense of insecurity, and below it was a mirror reflecting him greyly. Above his arm- and he saw with a shock that his skin was strangely dry and yellow - was bound a curious apparatus of rubber, bound so cunningly that it seemed to pass into his skin above and below. And this bed was placed in a case of greenish-coloured glass (as it seemed to him), a bar in the white framework of which had first arrested his attention. In the corner of the case was a stand of glittering and delicately made apparatus, for the most part quite strange appliances, though a maximum  and minimum thermometer was recognizable."

H. G. Wells : The Sleeper Awakes. 1899/1910

Spatiality : The Spatial Turn, Robert T. Tally Jr. 2013

Immediate Architectural Interventions, Durations and Effects : Apparatuses, Things and People in the Making of the City and the World. Alberto Altes Arlandis, Oren Lieberman. 2013

Preface (1921) ” The great city of this story is no more than a nightmare of Capitalism triumphant, a nightmare that was dreamt a quarter of a century ago. It is a fantastic possibility no longer possible. Much evil may be in store for mankind, but to this immense, grim organization of servitude, our race will never come” H.G. Wells. EastonGlebe, Dunmow,1921.

Veiled Melancholy/Book Narratives : Film Collages. #3




Saturday, 21 April 2018

Unbounded Outcomes : Iterations/Indexical/Repetition


Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times


Inside Phenomena/Catching The Light

fig222 Visual device, North Sea, Covehithe

Indexical Iterations , Post Studio Cyanotypes

Cathedral Bookshop, Winchester