Clay-Ceramic/Thinking Architectures/Interior Places.
2024. Ceramic. 260mmL x 350mmH x 160mmW.
Making Spatial Research Creation.
Interior Social Places : Perforated Inner Spaces
Pigeon Houses/Dovecotes for Philosophers.
This item resembles a handmade rustic bee hotel, often used in gardens as a wildlife habitat.
It features pre-drilled holes designed specifically to provide nesting spots for solitary bees.
The structure is typically constructed from wood, sometimes featuring recycled or scrap materials.
A "line of flight" (ligne de fuite) is a core concept developed by Gilles Deleuze and Félix Guattari in A Thousand Plateaus. It represents an act of escape, a sudden rupture, or a creative vector that allows a rigid system to break down and transform into something completely new.
What do I know?
Michel de Montaigne.
A house for confessing animals.
Michel Foucault.
What does Deleuze mean by plane of immanence?
Plane of immanence (French: plan d'immanence ) is a founding concept in the metaphysics or ontology of French philosopher Gilles Deleuze. Immanence, meaning residing or becoming within, generally offers a relative opposition to transcendence, that which extends beyond or outside.
Pink Cosmos : Research Collage~Diffractive Inclusions and Annotations
Google Lens
Panopticon~Peter Gabriel
The image shows an open book, "The Activist Drawing: Retracing Situationist Architectures from Constant's New Babylon to Beyond," edited by Catherine de Zegher and Mark Wigley. The book features a diagram of Jeremy Bentham's Panopticon prison design. The Panopticon is a circular building design intended to allow a single observer to monitor all inmates without them knowing if they are being watched, which induces a sense of permanent visibility and self-regulation of behavior.
Google Lens Artwork Details. Artist: Russell Moreton, a UK-based contemporary artist specializing in experimental drawing, alternative photography, and ceramic art. Concept: This piece forms part of his exploration into “Spatial Poetics” and the concept of “Fragile Architectures of Hapticity and Time,” which draws heavily from Gaston Bachelard’s philosophical readings regarding memory, refuge, and spatial daydreaming (reverie). Material & Structure: The artwork consists of slab-built earthenware or terracotta clay. It takes the minimalist silhouette of a house or primitive shelter, punctuated by precisely drilled circular apertures and incised linear markings that imply schematic cross-sections, architectural measurements, or coordinates. Surface Finish: The surface displays a heavily textured, matte, earth-toned finish achieved through slips, iron oxides, or specialized atmospheric firing techniques to simulate weathered stone, rusted metal, or aged brick. The philosophical concepts (like Bachelard’s The Poetics of Space) that inspire this work. The firing techniques used to achieve these specific earthy surface textures. Other pieces in this specific ceramic series.
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