Russell Moreton
Spatial Practices MA, UCA Canterbury.
Visual artist who currently uses simple descriptive gestures and processes drawn directly from the human body. His practice continues to explore issues around "Spatiality" and the "Postmodern Human Condition". The use of site specificity and materials "at hand" are employed to further underpin the practitioners sense of place, memory and dwelling. His descriptive working narratives are in effect physical working ideas, spatial entanglements between the relations of life and art.
Drawing.
Installation and Working Sites
Architectural Glass and Ceramics
Liquid Light and Pinhole Photography
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Spatial Intelligence
New Futures for Architecture
Leon van Schaik
Archaeological Site, Morn Hill, Winchester.
Working Notes/Scripted Drawing
Contents/Space Page
"Boundaries and junctions points are in the nature of things points of friction"
Lefebvre, The Production of Space.
The act of "blocking in" the dimensions of another space within the continuum of another can propose to create a temporal junction between a host space and a new site within this host, a guest. This activity also has associations with nomadic and agricultural-pastoral societies as they use paths and routes as spatio-temporal markers or determinants.
R Moreton, Working Notes, Spatial Practices, Canterbury
Drawing with Layered Architectural Drawings
Site
Arte Povera
Material
Body
Social Space
"Translates the painterly relationship of figure and ground into the space of real situations"
The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne.
Modern Art Oxford, 2004-2005.
