Visual material must capture non visible forces. Render visible, not render of reproduce the visible
Deleuze and Guattari
Interior : Gridshell
A Hut of One's Own, Ann Cline
For Irigaray, wonder corresponds to time, to space-time before and after that which can delimit.
Wonder constitutes an opening prior to and following that which surrounds/enlaces.
The Intuition of The Infine
The intuition of a subject that at each point in the present remains unfinished and open to a becoming of the other that is neither simply passive nor simply active.
The Poetics of Space : The house, from cellar to garret. The significance of the hut.
"He will revive the primitivity and the specificity of the fears. In our civilization, which has the same light everywhere, and puts electricity in its cellars, we no longer go to the cellar carrying a candle. But the unconscious cannot be civilized. It takes a candle when it goes to the cellar."
Gaston Bachelard.
Texts,Annotations, Foundations, Pathways, Corridors, Bookmarks, Walking, Thinking, Ramble, Cross Country, Disciplines,
Walking into Emergent Landscapes : Covehithe Beach
The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane
“ Walking was a means of personal myth-making, but it also shaped his everyday longings:
Edward Thomas not only thought on paths and of them, but also with them.”
“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”
DSC_0205 Archipelagic
Research Collage, Waverley Project/Reading Rooms
Blueprints : Anthropological Forms
Botanical traces with leper graves
Walberswick : DSC_0181a/Digital Pinhole. 2016
Being/Becoming : Aesthetics and Subjectivity
Gaston Bachelard, The Poetics of Reverie.
Nick Cave, The Lyre of Orpheus.
Hildur Gudnadottir, Saman.
Prints From Secrets and Ambiguity
Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an image?
— Jean Baudrillard, The Conspiracy of Art, 2005
Jana Sterbak
Remote Control 1989
A heuristic technique (/hjᵿˈrɪstᵻk/; Ancient Greek: εὑρίσκω, "find" or "discover"), often called simply a heuristic, is any approach to problem solving, learning, or discovery that employs a practical method not guaranteed to be optimal or perfect, but sufficient for the immediate goals.
Sensate
Non Spaces : Fire escape Winchester School of Art
The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane
“ Walking was a means of personal myth-making, but it also shaped his everyday longings:
Edward Thomas not only thought on paths and of them, but also with them.”
“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”
DSC_0205 Archipelagic
Research Collage, Waverley Project/Reading Rooms
Blueprints : Anthropological Forms
Botanical traces with leper graves
Walberswick : DSC_0181a/Digital Pinhole. 2016
Being/Becoming : Aesthetics and Subjectivity
Gaston Bachelard, The Poetics of Reverie.
Nick Cave, The Lyre of Orpheus.
Hildur Gudnadottir, Saman.
Prints From Secrets and Ambiguity
Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an image?
— Jean Baudrillard, The Conspiracy of Art, 2005
Jana Sterbak
Remote Control 1989
A heuristic technique (/hjᵿˈrɪstᵻk/; Ancient Greek: εὑρίσκω, "find" or "discover"), often called simply a heuristic, is any approach to problem solving, learning, or discovery that employs a practical method not guaranteed to be optimal or perfect, but sufficient for the immediate goals.
Sensate
Non Spaces : Fire escape Winchester School of Art
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