Outpost 161123
The process of making is a magical act, organic and physiological.
Making exteriorises and extends internal capacities and conditions.
Tim Ingold.
The new virtual social spaces are changing actual physical space.
The virtual world continues to overlap with the real one, further weakening of the boundaries between the two domains is inevitable.
Drawing Concepts/Identities.
Gathering Situatedness.
Nomadology on the relay between points, paths, territories, boundaries, borders and lines.
The drawing acts/re-enacts through the forces and flows of materials/matter/media and experience.
The Space/Situation of Art as a Sociological Phenomena.
The Drawing Class
10 Days in The Laundry
Winchester 2009.
Drawing-Traces-Bodies-Movements.
The Production of Space/Spatiality.
Line as a Graphic Inquiry.
Johannes Schreiter.
Wellbeing and Mediated Spaces within Drawing.
How I was drawing was far more important than what I was drawing. I decided to abandon figurative representation and actually focus on my own body as a producer. My interest in space mediation is materialised in site-specific works, where the combination of the performance and the specific features of the site, its architecture, history, etc of a particular context determine decisively the appearance of the work.
M. Lohrum.
Resonances/Reverberations (Bachelard) as the performativity between things and of the innate reversibility of inside and outside, such that intimate spaces loose their clarity, whilst exterior spaces loose their sense of void.
For Bachelard, inside and outside, as experienced by the imagination can no longer be taken in their simple reciprocity, consequently by choosing more concrete, more phenomenologically exact implications/inceptions, we shall come to realize that the dialectics of inside and outside multiply with countless diversified nuances.
All matter vibrates, causing correspondences between people, things in movement with each other.
Making/Matter/Intervening.
Drawings that are intimately tied/underpin/inquiry/situate into your emotions/sociological self.
Social Contexts Making Artistic Creation.
During the act of drawing, the artist focuses on the physicality, movement, and gesture of their body , or the bodies of others. The resultant drawings work as documentation of the performance, they retain the indexical trace of the performance that produced them.
Drawing practices that are performative, inspired by the uncertain and changeable nature of both our social context and artistic creation.
Performative Drawing explores drawing as a consequence of a residue of a performance or event, as such it is very process oriented, doing things with unknown or unfolding outcomes.
The experiences and knowledges of the body.
Drawings that remain in the exploratory realm of drawings.
The Drawing needs to be 'read' forward into an ongoing generative movement that is once itinerant, improvisatory and rhythmic.
Corporeality in Drawing.
Situated Awareness/Attraction.
Drawing onto the openness of the resonances of bodies.
The Radical Nude, Egon Schiele.
A creative corpus of extreme representations of the human body that show an ambivalent treatment of sexuality, creation and death.
The Nietzschean Perspective.
Nietzsche explains that ever art, every philosophy may be viewed as a remedy and an aid in the service of growing and struggling life; they always presuppose suffering and sufferers.
A Philosophy of The Body.
Schiele experimented to see how he could represent the experiences and knowledges of the body by using his own body as an object and as a tool for experimentation.
For Nietzsche, to what extent can truth endure incorporation? That is the question, that is the experiment. This evokes both gleaning the truths of the fleshy and making something lived corporeally, truth is now of and in the body. The body is the source of the soul and of our most valuable forms of knowing.
The naked, primal vulnerability that has been socially and culturally manipulated turning the naked into the nude.
Marie's body was dedicated to a dance of death, masquerading as the cycle of life. By the time she bore Egon, Marie had already given birth to no fewer than four babies, only one of whom would survive beyond childhood. Egon the male heir was bought into a world in which sexuality, disease and death were not only inextricably intertwined but also oppressively omnipresent, and his art evinces this fearsome reality most memorably in his brutal treatment of the naked body.
Dioysian Ugliness and Radical Beauty in Egon Schiele's oeuvre.
Kathryn Simpson.
Vienna, was saturated both with Nietzsche's actual writings and with the multiple and various Nietzscheanisms. Every educated person was familiar with Nietzsche's Philosophy, indeed the ubiquity of Nietzschean influences can barely be overstated.
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