Outpost 130122
Studio Table
Filtered Light Reader
Architectural Light : Diffractions through Movement
Apparatuses, devices mediating natural/filtered light within spatial settings
On The Nature of Daylight
We Japanese fit additional canopies or verandas outside rooms that the rays of the sun in any case penetrate only with difficulty.
This is to keep out even more light and ensure that only a diffuse reflection can steal in from the garden through the paper windows.
So the aesthetic element in our rooms is nothing other that this indirect, dim lighting effect.
In Praise of Shadow, Tanizaki Jun'chiro.
Light made material
Kunsthaus Bregenz
Panes of toughened safety glass (2x10mm white glass, 4xPVB film), etched on one side.
Peter Zumthor.
Diaphanous : Translucent Materials/Membranes
Glass
Plastic
Metals
The Architecture Of Light
Recent approaches to designing with natural light.
Mary Ann Steane.
Examines how architects handle the relationship between light, material and the occupation of space, looking closely at the way in which these factors affect perception of and attunement to the visual environment.
The Architecture of Natural Light
Henry Plummer
The Other Architecture
Constructing metaphysical space
The beholding of light is itself a more excellent and a fairer thing than all the uses of it.
Francis Bacon, 1561-1626.
The Architecturally Sensitive Glass Works of Bernard Huber
Suzanne Beeh-Lustenberger
Gerhard Richter : Zufall, 748 5 RIC
Cologne Cathedral/South Transept Window
Glass Fields and Chance
How can arbitrariness be challenged?
By taking chance as the guiding principle in composing the colour fields, and thus employing one of the 'representatives of the real' as a partner in the production of the work.
The question, what is being 'moved' here?
Richter sets in motion a 'switch point' between decidable and undecidable, between controllable and uncontrollable; an in between point, a neither, nor, an exchange.
Chance as an intelligent object.
Chance is a trigger of movement, it produces an interval between starting point and destination.
The Spaces Between : Graphic Works on Glass
Myriam Wierschowski
Veils : Concealing and Opening
Reinhard Lambert Auer
Antique handblown glass samples and cullet
Bernhard Hubert
Glass : Transition-Glasprojekte
Architectural Movements into Light and Dark
Verena Krieger
Work on the Border- Transition of Space
Bernhard Huber's Light Room Installations with and without Glass
There are therefore two polar characteristics at the same time here, and you can see with the preliminary work of the artist that he experimented between these poles.
On one side there is a logically formal strictness and on the other the loose dynamics of apparent arbitrariness. Both together produce in their exciting simultaneousness the aesthetic charm of the glass roof installation.
Dawson Books Ltd/The Bertram Group
Sowing the seeds of knowledge
Not for resale
Books for educational use only
Work
Brian Clarke
6 Volume edition with slipcase
12.42 Kg
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