Monday, 25 November 2013

Architectural Light : Spatiality in Social Spaces.

Social Space : Split Process #1Social Space : Split Process #2Social Space : Split Process #3Social Space : Split Process #4Social Space : Split Process #5

Spatial Intervention into Historical Site/Text.

"He rubbed his eyes. The riddle of his surroundings was confusing but his mind was quite clear - evidently his sleep had benefited him. He was not in a bed at all as he understood the word, but lying naked on a very soft and yeilding mattress, in a trough of dark glass. The mattress was partly transparent, a fact he observed with a sense of insecurity, and below it was a mirror reflecting him greyly. Above his arm- and he saw with a shock that his skin was strangely dry and yellow - was bound a curious apparatus of rubber, bound so cunningly that it seemed to pass into his skin above and below. And this bed was placed in a case of greenish-coloured glass (as it seemed to him), a bar in the white framework of which had first arrested his attention. In the corner of the case was a stand of glittering and delicately made apparatus, for the most part quite strange appliances, though a maximum and minimum thermometer was recognizable."
H. G. Wells : The Sleeper Awakes. 1899/1910/1924
Spatiality : The Spatial Turn, Robert T. Tally Jr. 2013
Immediate Architectural Interventions, Durations and Effects : Apparatuses, Things and People in the Making of the City and the World. Alberto Altes Arlandis, Oren Lieberman.

Visual Installation Art.

Still Life : Textual Study.Space Lines 1.Bridging Strategies : Explorations amongst the virtues of not knowing. #1Bridging Strategies : Explorations amongst the virtues of not knowing. #4Bridging Strategies : Explorations amongst the virtues of not knowing. #5Leylines Installation : Mapping Tool #1
Leylines Installation : Layered Drawings #2Leylines : Drawing frame, lead strip and drawings.Drawings and Plans. #4Constellation : PleiadesFilmic Still : Wireless Interference.Red. DSC_3585 Colour Fragments/Light Sensitive.
Installation Photograph (518)CCTV from camera obscura : Suspect Vehicle #7Architectural Abstract : Collage and Timber-frame. 2Cathedral : Plan view with occupants.Sequential Photograph : In the space around the "spatial turn" (539)Waverley Abbey, interior with draped columns.
Camera Obscura : Reflections and the dark room.PC290015 Autonomy of the Weather :  Filmic Components 2009Cinematic Interference : Non Space #7Minimalist PresentationResearch Collage/ Photographic Drawing : 10 June 2012.P6070069text 1

Visual Installation Art., a set on Flickr.

Thursday, 21 November 2013

Surrounding Objects : Critical Proximity ~1

pinterest.com/russellmoreton/art-and-process/

Research Material
Photographic Drawings

PETER ZUMTHOR ATMOSPHERES

Architectural Environments
Surrounding Objects
2006 Birkhauser, Basel, Switzerland.

Tuesday, 19 November 2013

Photograph (35) Pinhole Photography/Research Collage : Winchester Library UK

Representing Complexity: Intersections of Art and Science
Thursday, February 28, 2013
1:00 pm - 8:00 pm
2115 Tawes Hall and other locations as noted
Friday, March 1, 2013
10:00 am-6:00 pm
2115 Tawes

[Directions to Tawes via Google Maps]

[Campus Visitor Parking Map. Nearest Visitor Parking: Union Lane Garage, Stadium Drive Garage]

Many of the most pressing social and ecological issues, from climate change to turbulence in financial markets, grassroots protests to antibiotic resistance, are essentially case studies in complexity. So too are many of the most exciting technological innovations and fields of theoretical inquiry, from CGI animation to Wikipedia, systems theory to “object oriented ontology,” network analysis to emergence.

This symposium will ask how the challenges of representing complex phenomena—whether in language, film, computer modeling, or other media—affect our understanding of it. Furthermore, how does the question of representation provide a register for common inquiry across methodological and disciplinary grounds? We bring together scholars in a wide array of fields including linguistics, computer science, neuroscience, philosophy, literary studies, and media studies, to explore the intersections (and disconnections) between the representation of complexity in the arts, sciences, and humanities.

Illuminated Interiors : The Library #1

Eden Project, reciprocal architecture