OUTPOST STUDIO 3.16
Sensations in Space and Time (the experience/entanglement of phenomena and idea)
Agency/Foraging/Making/Gathering
Subjectivity is relational (always in process)
A Species of Making Spaces
Tentativeness, attentive to situatedness
A diffractive methodology enables a critical rethinking of science and the social in their relationality, moving beyond separate entities, separate sets of concern.
Karen Barad
Organism
Person
Environment
For Merleau-Ponty, Experience can only be understood between the mind and the body or across them in their lived conjunction.
The mind is always embodied, always based on corporeal and sensory relations.
Elizabeth Grosz.
Richard Serra : Verb List Compilation
Actions to Relate to Oneself, 1967-1967
Drawing in its frameworks and dimensions/presence and absence/its here and elsewhere
Exploring the fragility of a painting in the landscape
Canvas as sheltering construction, Raveningham Sculpture Trail
Diagram-Map-Chart, is a symbolic depiction emphasizing (mapping) relationships
Diagrams For The Imagination : Arakawa
Semper Femina : Laura Marling
Apokatastasis : Jim Jarmusch, Jozef Van Wissem
Litany Of Echoes : James Blackshaw
New Music, for old instruments : Paul Metzger, Jozef Van Wissem
Brilliant Trees : David Sylvian
Body As Cultural Product
Both psychic and social dimensions must find their place in reconceptualizing the body, not in opposition to each other, but as necessarily interactive.
Volatile Bodies/Chaos-Territory-Art : Elizabeth Grosz
Spatial
Asperity/Mesh, Membrane and Gauze, Möbius Strip, Pattening,
Actuality
: Robert Mangold
Paintings around the particles/flows of things/boundaries/intervals of presence and absence
Induction/Capacitance/Encapsulated Layers
Drawing and its attempts to map out/make visible contingent things
Contingency, is what remains, as it comes up against causality/constantly passing through
Objects/Things conceptualized by the exploration of drawing (intervals of blindness)
Linking Surface to the Aesthetic Experience of Space.
Experiences incorporating interests with environmental textures into Art.
Points of Contact/Confluence of Circumstances
Materials bound by contact/canvas
Patina, absences, gesso, textile wrappings, field chalk, exhumed oyster shells, yellow ochre,
A philosophy of Reading/Matter/Rooms,
The Lake of The Mind
Stochastic Thinking, Steven Holl
Solitude/Libraries : Cell/Court/Domain
Capacitance, relationships between intensities and movements
Clay, Waxed Surface, Liquid Rust, Calico,
Sensate Bandages/Windings/Armatures : Corporeal Landscapes/Assemblages/Things
Flesh, elementary pre-communicative, subject and object develop.
Making as Growth : Tim Ingold
Social Architectures/Anthropologies/Imaginary Projects/Interfaces/Screens
Timothy Morton : Realist Magic
The elasticity of sensation, affective and wonderous
Sally Mann : Matter Lent/Collodion wetplate negatives
Corpus, liquid light, flesh, spirit, trace, outline, human body, performative,
Paintings/Enactments : Canvas as a spatial verb
Espace-Milieu, painting as environment/entanglements and situations
Ceramic/Process and its theoretical objects
As a series of practices, making reality by bringing things together or separating them into their singularities, or making machines/desiring machines
Desire can be seen as an Actualization
Gathering Notations : Bernard Tschumi
Both presence and absence are coupled in this framework
Deleuze/Guattari
Glass/GLAS : Resistivity/Inclusions, A Field in England.
Translucent aesthetics, beyond the opacities of the sensible the rational.
An image that adequately expresses both the efficacy and the temporariness of the phenomena ( joining a diffused/invisible flow of energy, a breadth that wends its way ceaselessly through the world). Animating it as it goes.
Vital Nourishment, Departing from happiness, Francois Jullian.
What is a body capable of -
Spinoza
Building/Making, into the theoretical performative object (that does theory)
Albers/Clarke : Interactions, Counterpoints, Intervals between colour/forms,
Membrane, Discursive, Diffractive, Sensory, Layered and Filtered Light,
Body, Movement, Mind, Assemblages, Exploratory, Speculative, Choreographic,
Deleuze/Guattari, understand the body more in terms of what AFFECTS it is capable of, instead of the consequences of having a body.
Peter Zumthor : Thermal Baths
Human Agency/Temporal transitions between matter and movement.
Immaterial/Concrete/Water : Bodies in contact/the corporeal social human body
Manifolds/Theory of Temporality/3 Synthesis of Time
Memory Past Preserved Condition
Present Habit Instants Agent
New Future, actual/virtual Creation of The New
Multiplicity, purality of contemplating souls.
Asymmetries between particular past and general future.
Temporality involves multiple interacting processes.
Architecture becomes Spatial Agency
We all make space : Jeremy Till
Paintings, space, volume, surface, passages, actualizations, claddings/camouflage
One conceives and reads a building in terms of sequences, both phenomenological and filmic, reading a space by its depth of field, its thickness.
Turbulence House, New Mexico, Steven Holl.
Aesthetics/Asperities : Resultants that incorporate the friction (asperity) of their trajectories through a medium. Tilt-up concrete construction, Chapel of St, Ignatius, Seattle. Steven Holl.
Navigations and Vectors/conduits/intervals and traces between discursive practices.
Wrapped Silences : Assembled Sectional Elements/Thresholds
Surfaces on Mourning/Samsara, a beauty fed on emptiness
No comments:
Post a Comment