Studios and Sites : Drawing/ Of The Body, figural and indexical.

Proposals On Studios and Sites.

Making/Reading Spaces.

Outpost Studio Sketch Books.

Discursive Contents/Drawings.

Mediating Creative Agency/Studio Works.

1, October 2018-May 2019.

2, May 2019.

3, 2020.

4, 2023.

On Drawing, haptic resonances are felt, registered via the pencil and the different asperities of the drawing body. Marks made, and their markings subsumed into the drawings unfolding causality.

Re-constructive Drawing, Drawn, Wrapped, Moved, Re-drawn, Deconstructed, Re-assembled.

Visual Membrane/Surface of Affective Matter,

Matter Painting/Gathering Materials/Relations/Sensuality.

Body/Building Plot of Affirmation, Augury Vessel 2019, Harleston.

Drawings from Hyde Abbey Gatehouse.

Paintings, proposal Cley 19.

Paper 1500x2845.

Speculative Plot 3000x3000.

Experimental Conditions and Inscriptions.

Charcoal Drawings on Translucent Materials.

Becoming Ephemeral.

Entanglements/Localities/Amalgamations 

Layering of consciousness and becoming.

Something has passed through here. 

Directions and process become objective readings amongst the phenomena of things.

Blueprint, building the drawing, movements and their traces of material memory.

Working drawings as architectural paintings.

The whirling and winding of affective material.

Cyanotype Process/Applied (site/plot) Archaeology (asperity/haptic movement)

Textile reinforcement, semblances, surfaces, reliefs, repairs, temporalities, 

Do not arrest/explain causality, rather move with its potentialities.

Ordered, Assembly, Ritual, Fragmented, Symmetric, Equivalence, Process, Contradictions, Binary, Relations, Singularity, Re-assemble, Floating, Beyond, 

Sensate, Transitive, Reflexive, Becoming, Intense, Animal,Serenity, Aftermath,

Ceramic Drawings

Claywork : The Project and Proposal.

Ceramics in the Environment.

Borderlines/Creative Boundaries and Thresholds.

The redundant stone mullion windows by the south entrance. 

Exploring used and empty frames as a new setting for a constructional drawing or template both as site specific artwork and as an inclusion within a screen/surface or painting.

Developing Inquiry.

Documentation, Artist's Book, Drawings, Diagrams, Templates, 

Process, Mixed Media Artworks, Prints, Alternative Photography, Ceramic Forms, Glass Work..

Other working methods, images from current art practice.

Scriptorium Space.

Architectural model for a performative reading space within a pastoral landscape or community.

Blueprints, cyanotype drawings.

Architectural concerns, cell, court, domain, layered drawing with collaged and absent objects on a historical building plan.

Assemblages.

Raku fragment, drawing, photographs, handwritten notes, field chalk, charcoal. 

Concepts for making with clay.

Finishing the rim,throwing the material, the sensation of making 'outwardness' from 'innerness'.

Clay : Making for the hospitality of the body.

Throwing, form made from the solid unformed centre of the clay lump.

Making volumes/innerness from solid unformed material.

Throwing is manifested/made actual by opening up the space for the imagination previously contained/constrained by the mass of clay. 

Turning, form further modified by the machining/carving into the thrown vessel.

Making volumes by the excavation, the removal of material complicit to its original form.

Turning is mastered/referenced by the rim and the internal volume of the pot/bowl/vessel.

Vessels/Crucibles

The circumference, volume and surface that correspond with/into the clay vessel.

Body, Forms, Interiors. Volumes.

The Intermingling of Material and Place.

Clay, a material of human inscriptions, volumes and surfaces, a silence worn down, abraded by time.

Windows, Building, Drawing, Pierced, Surface, Scripted, Architectural, Body, Facade, Profile, Template,  

The most refined art, and the most difficult and dangerous is that of patina.

Luis Barragan.

An aesthetic nowness that stimulates a 'wondrous beauty'

The rift between and within the object/subject, between object appearance and its essence.

Object Oriented Ontology.  

Earth Colours, Natural Substances, Ceramic Materials, Hand Building Processes. Weathering, Firing,

Ceramic substances/affinities and  their values/phenomena/raw and fired colour.