Drawing Concepts/Thinking with Materials.
Clayworks.
Leylines.
Hyde Abbey Gatehouse.
A provisional research ecology: material absorbed in its own thoughts. A gathering place for things being made, read, sensed and thought. Images, texts, bodies, spaces and matter(s) move through correspondence, forming tentative rooms of inquiry. Research circulates between depth and surfacing, archive and anarchive, allowing propositions to return, migrate and become otherwise.
When I gather together the animals, arguments, molecules, suggestions, forces, interpretations, sounds, people, and images of this study, one theme emerges. The modern story of disenchantment leaves out important things, and it neglects crucial sources of ethical generosity in doing so. Without modes of enchantment, we might not have the energy and inspiration to enact ecological projects, or to contest ugly and unjust modes of commercialization, or to respond generously to humans and nonhumans that challenge our settled identities. These enchantments are already in and around us.
Jane Bennett
Be not inhospitable to strangers
lest they be angels in disguise
Jackie Leven, The Dent In The Fender And The Wheel Of Fate
David Childers, Heart In My Soul
Camouflage/Aesthetics//Spatiality : Relating the individual to the environment
Grasping the complexities involved in our negotiations with the world.
Cognitive mapping within the aesthetic domain, locating the self against the otherwise, homogenising placelessness of contemporary existence.
Contexts:
Documentation , Practice-based research , Research , Studio practice
Artforms:
Drawing , Mixed media , Photography