Showing posts with label Hanjo Berressem. Show all posts
Showing posts with label Hanjo Berressem. Show all posts

Sunday, 17 May 2026

Transactive Spatial Gestures : Anticipation and Action/Affective Energies/Luminosity

12/10/2022

Reading with Deleuze and Spinoza~Radical Intuitions : Interacting with clay

Speculative and Exploratory Field Works.

Inscriptions, handwriting, cognitive connections across visual art materialisms. 


Gathered readings, walking across holloways and embodied dispositions, surfaces/inseparable cartographies of embodied experiences.


Undisciplined knowledge enables and sustains actions, gestures of a post disciplinary field.


Inseparable categories (containers and bodies) and their contents.

The Aesthetic,

The Economic,

The Political,

The Social,











Textures of Light : Vision and Touch in Irigarey, Levinas and Merleau-Ponty : Cathryn Vasseleu.

Bento's Sketchbooks : John Berger. 2015

Spinoza, practical philosophy : Gilles Deleuze. 2001

A concise and illuminating book about the Dutch philosopher Baruch Spinoza, one of the early thinkers of the Enlightenment and modern biblical criticism.

Spinoza's theoretical philosophy is one of the most radical attempts to construct a pure ontology with a single infinite substance. This book, which presents Spinoza's main ideas in dictionary form, has as its subject the opposition between ethics and morality, and the link between ethical and ontological propositions. His ethics is an ethology, rather than a moral science.

Attention has been drawn to Spinoza by deep ecologists such as Arne Naess, the Norwegian philosopher and this reading of Spinoza by Gilles Deleuze lends itself to a radical ecological ethic. As Robert Hurley says in his introduction, "Deleuze opens us to the idea that the elements of the different individuals we compose may be nonhuman within us. One wonders, finally, whether Man might be defined as a territory, a set of boundaries, a limit on existence."

Gilles Deleuze, known for his inquiries into desire, language, politics and power, finds a kinship between Spinoza and Nietzsche. He writes, "Spinoza did not believe in hope or even in courage; he believed only in joy and in vision . . . he more than any other gave me the feeling of a gust of air from behind each time I read him, of a witch's broom that he makes one mount."

Gilles Deleuze was a professor of philosophy at the University of Paris at Vincennes.

Robert Hurley is the translator of Michel Foucault's History of Sexuality.






Gilles Deleuze's Luminous Philosophy : Hanjo Berressem. 2021

'The plane of immanence is entirely made up of Light', Deleuze writes in Cinema 1: The Movement-Image. Engaging the whole body of Deleuze's work, including less rehearsed texts such as The Actual and the Virtual, Lucretius and the Simulacrum and his lectures on Spinoza, Hanjo Berressem traces the 'line of light' that runs through Deleuze's thought. The focus on the philosophical luminism that suffuses Deleuze's work delivers a novel reading of Deleuzian philosophy from the perspective of the complementarity of the photon. Berressem reveals a wealth of surprising and brilliant insights for anyone with an interest in Deleuze and in the implications of Deleuze's philosophical photonics for historiography, literary studies, painting and film.

Monday, 5 July 2021

Grisaille Patterning : Translucency/Paintings/Object Fields for a Luminous Philosophy

Grisaille Patterning : Translucency/Paintings for a Luminous Philosophy

Painting and Mapping/Choreutics : The luminous

Palimpsest/Making Spaces through movements  and atomized materials

Grisaille Patterning : Redundancies making spaces between objects

Gilles Deleuze's Luminous Philosophy : Hanjo Berressem

Spinoza :Practical Philosophy, Gilles Deleuze

Drawing into painting, paintings/environs in the company of philosophy

Painting as explorative material sites (aporias/difficult futures) between the discursive and the practical.

The discursive investigates and reconfigures further temporal propositions and contingences, it draws its subject beyond its ordered description and context of relations.








Architectural painting for glass exploring slowness and repetition.

Surface depths, an intermingling on the cusp of a speculative un-knowing

patterning, architectural, surface, design, painting, 

translucency, lightness, silence, reading room


An Anthropology of Landscape

Christopher Tilley

Kate Cameron-Daum










Spirituality in Contemporary Art

The Idea Of The Numinous

Jingu Yoon


New Global Ecologies

Baratunde Thurston


The Rooms

To Love Is To Live

Jehnny Beth


lightness, luminosity, fluid, hybrid media, material, 

asperity, field, gesso, molochite, yellow ochre


Baratunde Thurston, Hanjo Berressem, Kate Cameron-Daum, Spinoza, philosophy, painting, numinous, An Anthropology of Landscape, luminosity, Gilles Deleuze, Jingu Yoon, Grisaille, Russell Moreton, Christopher Tilley,