The Sensations The World Calls Forth/Water at Hungate.

Outpost 150723

Hungate Medieval Art and Architecture.

https://www.axisweb.org/p/russellmoreton/

The Sensations The World Calls Forth.

We paint-sculpt-compose and write with sensations.

INSIDE THE VISIBLE

impulse of the possible

an elliptical traverse of 20th century art.

in, of, and from the feminine.

edited by M. Catherine De Zegher. 

front cover:

Anna Maria Maiolino, 

Entrevidas (on the margin of life), Installation, photo: Hanzy Stakl. 1981

The plane of composition through which articulation eventually emerges is populated by the thought of the work, its inner rhythm. Deleuze and Guattari calls this inner rhythm a block of sensation.. Blocks of sensation are forces that compose thought's durational attitude.

Deleuze ,Guattari. 1994.

Rhythm is determined not by the length of the edited pieces, but by the pressure of the time that runs through them.

Sculpting in Time, Tarkovsky.

For Tarkovsky, editing from within seeks to create space-time, not simply reproduce it. To edit from within is to compose with the more-than of language's actual articulation. It is to work with language's pre articulated virtual force, directing enunciation such that its virtual effects are felt within actual expression.

For Amanda Baggs, communication through words remains inadequate to the singular experiences of sensation the world calls forth.

Thought is a proposition for Feeling-In-Motion.

Thought is more than a form taking of words.

Words are an extra component of the experience of articulation, not its final form. Words cannot fully express experience's complexity.

Language must be called forth as a layering-with of the affective tonality of expression.

An inquiry and its translation that transduces the event of language's becoming with sensation.

Language does not replace the sensual exploration of the relational environment, it moves with it, becoming one more technique for composition.

The Relational Cusp : 

Of Becoming-Events-Objects-

Movements Expressing The Force Of  A Relational Environment.

This sensory becoming is a form of thought.

Being/Becoming in a constant conversation with every aspect of my environment, reaching/reacting physically to all parts of my surroundings.

Artworks/Art working to create a relational nexus that can expose the world at the incipience of its sensory becoming.

Relationscapes : Erin Manning.

Layered Drawings : Architectural Screens/Modulations of Translucency

Space Between People

How the virtual changes physical architecture
Stephan Doesinger

This book shows how the virtual has completely changed the physical world around us. If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures - a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects - illustrate the mindbending possibilities of digital design. In the books final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.


Non Spaces/Digital Still Image : Fire escape Winchester School of Art

Meshworks/Norwich, moving analogue source : Midway/Dante
Beginning as one always does in the middle, in mediis rebus, one experiences a sense of disorientation, a sort of cartographic anxiety or spatial perplexity that appears to be part of our fundamental being-in-the-world. It is an experience not unlike that of Dante, in the opening lines of his Commedia:

Midway along the journey of our life,
I woke to find myself in a dark wood,
for I had wandered off from the straight path.

( Dante 1984 : 67)
Introduction : Spatiality .
Robert T. Tally Jr.
the New Critical Idiom, Routledge 2013

Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

Sensuality, Drawing and Astronomical Space.
Architectural Translucency (Tracing Layers)
DSC_8860 Pavilion : Borderlands

Andreas Horlitz : Simulacrum. 2006

Brian Clarke : Lamina. 2005