Spatial Gathering/Murmuration : The Fleeting Cathedral/Vast Forgetting

We live our lives sunk in vast forgetting

 Milan Kundera, IGNORANCE.

Cyanotype from a site drawing, Space for Peace, Winchester Cathedral 2011.

Human mapping of social groups wthin the duration of the event.

Mono Print : Cyanotype process on paper, 52x42cm.

Photographic Landscape : Tactile Light/Entropy/Process and Image

Photographic Landscape, a photo by Russell Moreton on Flickr.

Collage : Photographic Diversions, Contradictions and Anomalies.

Collages : Diversions, Contradictions and Anomalies.

Collage's integral methods of discordance and displacement have so insistently reflected turbulent developments in twentieth century art, science and geopolitics that our response might be to categorise the whole genre as iconoclasm or subversive fantasy.

Sally O'Reilly

Spatial Proposals/Social Constructs/Architectural Settings.

Spatial Practices, Canterbury School of Architecture UCA.

Interior Design, Farnham UCA. 

Space and Place

THE PERSPECTIVE OF EXPERIENCE

Yi-Fu Tuan

1959 : Patti Smith

Peace and Noise

Lingering at the threshold between word and image

Cy Twombly

Claire Daigle

Although his work resonates strongly with generations of younger artists, ranging from Brice Marden to Richard Prince to Tacita Dean to Patti Smith, it has a general propensity to polarise its audience between perplexity and unbridled admiration. 

Certainly, the fortuities of a name are being pushed too far here, but what does Twombly do but offer up words in all of their resonance: literal, metaphoric, corporeal, material? His citations often have the vanitas effect of graffiti: ‘Cy was here’. Lingering at the threshold between word and image, Twombly renders visible those things – experience, emotion, the body’s share – that lie beyond the reach of verbal articulation.

Research Material
Photographic Drawings

PETER ZUMTHOR ATMOSPHERES

Architectural Environments
Surrounding Objects
2006 Birkhauser, Basel, Switzerland.

Time as a structure and an event #1

Spatial Represetation from Moving Pinhole Camera

The photographic medium, an elusive nexus of  invisible and visible,  the conceptual and physical rendered as observational.

Surface View : Photographic Drawing/Architecture of Emergence.

Surface View : Photographic Drawing., a photo by Russell Moreton on Flickr.

Cyanotype and drawing for architectural glass.

Cognitive/Imaginative Mappings within The Drowned World, JG Ballard.

The Architecture of Emergence: The Evolution of Form in Nature and Civilisation
Michael Weinstock

Spatial Practice/Spatial Representation : P1213401 red photogram from 10 Days in the City.

P1213401red photogram., a photo by Russell Moreton on Flickr.

Postcard/Star Atlas : Cyanotype (used as index for recorded disc)

Postcard/Star Atlas : Cyanotype (used as index for recorded disc), a photo by Russell Moreton on Flickr.

Verso

A for Andromeda, BBC4 27.03.06 90 minutes

1973 Romantic Poets

Disc Full

Contact Photography

Contact Photography, a photo by Russell Moreton on Flickr.
http://russellmoreton.tumblr.com/archive

Russell Moreton
Winchester Discovery Centre
09:00am Wednesday 02 Oct 2013 to Thursday 31 Oct 2013

Russell Moreton is a visual fine artist working with alternative and historic photographic processes. He uses pinhole cameras for inquiry into architectural space, these initial perspectives are further collaged and rendered through the Cyanotype process. He is currently working in the library spaces, and aims to produce a series of working ideas/blueprints for display.

Cost: Free
Venue: Winchester Discovery Centre
Telephone: 01962873603

Spatial Representations in Art Practice : Ceramics, Painting and Photography.