Showing posts with label The Drowned World. Show all posts
Showing posts with label The Drowned World. Show all posts

Sunday, 21 June 2026

Biosphere/Archipelago : Sun Drawing/Cyanotype/Spheres of Activity

Bioscleave/Blue Particle Cloud/Diagram.

Biosphere/Archipelago : Sun Drawing/Cyanotype


The sun has gone mad and stripped the earth of its ionosphere. For decades blasting radiation has poured upon earth, melting the polar caps and turning permafrost into streams, rivers, oceans. Huge deltas have been built, lakes formed, seas have risen.

The Drowned World, JG Ballard.

blueprints, cyanotype, alternative printing processes, light drawings, 

precision and indeterminacy, human form, ecology, 

environments, contemporary art practice

















ARCHITECTURAL Body

An ORGANISM that PERSONS

Gins and Arakawa 2002



Although the human condition is a crisis condition if ever there was one, few individuals and societies act with the dispatch a state of emergency requires. The fact that the human condition is a crises condition gets routinely covered up, with culture invariably functioning to obscure how dire the condition is and to float it as bearable


If organisms form themselves as persons by uptaking the environment, then they involve not only bodies but domains, spheres of activity and influence


Start by thinking of architecture as a tentative constructing toward a holding in place. Architecture's holding in place occurs within and as part of a prevailing atmospheric condition that others routinely call biosphere but which we, feeling the need to stress its dynamic nature, have renamed bioscleave

Procedural Architecture/Architectural Body

Gins and Arakawa


The role of architecture as a tool for researching the body-environment towards the implementation of these considerations is paramount

The goal of an experimental teaching and learning space based on architectural procedures would be that the process of design and construction would allow students/staff to rethink, re-imagine and enact the curriculum

An Arakawa and Gins Experimental Teaching Space/A Feasibility Study 2013

Jondi Keane


Contexts:

Practice-based research , Research , Studio practice

Artforms:

Painting , Mixed media , Drawing

Tags:

Bioscleave, Architectural Research, Arakawa and Gins, 

cyanotype, diagram, collage, texts, current concerns, contemporary practice




Cyanotype from a site drawing, Space for Peace, Winchester Cathedral


Shroud

Richard Stillman

Yard and Metre Event, Winchester


As the marks resonated, did they sound true?

Could we tolerate margins of error or latitude?

Is there strength in that built by blue ink?

It is hard to see without certainty.


Why have they flown, gathered, shrouded?

Is the date significant? A memorial?

Or is it white noise reverberating,

striking parallels, refusing focus, insisting?


The shape of the cross is still distinct

but opening out, refusing definition,

never quite caught as an intention,

pinned on dimensions it wants to refuse.


When objects or atmospheres collide energy is transferred, a new force may be created. And, as forensic scientists can attest, when objects touch they exchange traces, each leaves something of itself with the other.

This is why artists enjoy collaborating. Working with another artist can give a jolt of inspiration, a spark of creative thinking, a surge of new skill, the stimulus for a new work. And the experience will leave its mark in some way on each individual’s practice.

The specific ‘collision’ may also result in a work which has its own integrity, which does not belong’ to either party and where their particular contributions merge indistinguishably - in effect fusion takes place.

This is the thinking behind 10 days | Creative Collisions and for The Yard artists and Hyde Writers it was the ideal excuse to come together, to let the shockwaves flow and see what new possibilities emerged. As with all the best creative practice, in science or in art, this has been an experiment, it involved risk, trust and open minds. Whether or not the outcomes are fully resolved they will be filled with potential - and with potency.

Stephen Boyce


Contexts:

Arts in health , Community , Publication , Socially Engaged , Writing

Artforms:

Painting , Performance , Photography , Printmaking , Text

Tags:

Space for Peace, 10 Days, Creative Collisions, Winchester Yard Artists, 

Hyde Writers, collaborations. visual art, poetry

Wednesday, 4 October 2023

Cyanotypes : Creative Ecologies

The sun has gone mad and stripped the earth of its ionosphere. For decades blasting radiation has poured upon earth, melting the polar caps and turning permafrost into streams, rivers, oceans. Huge deltas have been built, lakes formed, seas have risen.

The Drowned World, JG Ballard.

Blueprints : Anthropological Forms
Botanical traces with leper graves

DSC_0205 Archipelagic

DSC_0250 Architectural Blueprint

Biosphere (Ecology and Entropy) 2012.













Thursday, 26 May 2022

Sun Prints : Blue Works/Drawings into the Photographic Surface



The sun has gone mad and stripped the earth of its ionosphere. For decades blasting radiation has poured upon earth, melting the polar caps and turning permafrost into streams, rivers, oceans. Huge deltas have been built, lakes formed, seas have risen.

The Drowned World, JG Ballard.

Cell
Court
Domain

Botanical traces with leper graves

Drawing into the photographic process
Dynamic/Affective Cyanotypes

Biosphere (Ecology and Entropy)
Architectural Blueprint
Archipelagic Architectures
Blueprints : Anthropological Forms
Cyanotype : Architectural Drawing











Thursday, 25 November 2021

Surface View : Photographic Drawing/Architecture of Emergence.

Cyanotype and drawing for architectural glass.

Cognitive/Imaginative Mappings within The Drowned World, JG Ballard.

The Architecture of Emergence: The Evolution of Form in Nature and Civilisation
Michael Weinstock

Friday, 2 July 2021

J G Ballard, matters of aesthetics : The Plague of Images


The planet drowns in an ocean of photographic emulsion.

The more civilised we are, the fewer moral choices we have to make. But the mind atrophies. A moral calculus that took thousands of years to develop starts to wither from neglect. Once you dispense with morality, the important decisions become a matter of aesthetics.
Super Cannes, J G Ballard. 2000

Speculative Fields/Spatial Agents
Textual Realities, J G Ballard on Chris Marker

La Jetée "a fusion of science fiction, a psychological fable"

The sun has gone mad and stripped the earth of its ionosphere. For decades blasting radiation has poured upon earth, melting the polar caps and turning permafrost into streams, rivers, oceans. Huge deltas have been built, lakes formed, seas have risen.

The Drowned World, JG Ballard.


DSC_0149 Light/Darkroom

Cinema, Mizmaze St Catherine's Hill.

Amorphous Photography : Star Trails
Prints from an Archive of Negatives



"He rubbed his eyes. The riddle of his surroundings was confusing but his mind was quite clear - evidently his sleep had  benefited him. He was not in a bed at all as he understood the word, but lying naked on a very soft and yeilding mattress, in a trough of dark glass. The mattress was partly transparent, a fact he observed with a sense of insecurity, and below it was a mirror reflecting him greyly. Above his arm- and he saw with a shock that his skin was strangely dry and yellow - was bound a curious apparatus of rubber, bound so cunningly that it seemed to pass into his skin above and below. And this bed was placed in a case of greenish-coloured glass (as it seemed to him), a bar in the white framework of which had first arrested his attention. In the corner of the case was a stand of glittering and delicately made apparatus, for the most part quite strange appliances, though a maximum  and minimum thermometer was recognizable."

H. G. Wells : The Sleeper Awakes. 1899/1910

Spatiality : The Spatial Turn, Robert T. Tally Jr. 2013

Immediate Architectural Interventions, Durations and Effects : Apparatuses, Things and People in the Making of the City and the World. Alberto Altes Arlandis, Oren Lieberman. 2013

Preface (1921) ” The great city of this story is no more than a nightmare of Capitalism triumphant, a nightmare that was dreamt a quarter of a century ago. It is a fantastic possibility no longer possible. Much evil may be in store for mankind, but to this immense, grim organization of servitude, our race will never come” H.G. Wells. EastonGlebe, Dunmow,1921.

Veiled Melancholy/Book Narratives : Film Collages