https://www.flickr.com/photos/russellmoreton/
Thursday, 10 July 2014
Wednesday, 9 July 2014
Friday, 13 June 2014
Monday, 24 March 2014
Pastoral Space: Material, Inquiry and Craft.#5
Material Agency : Carl Knappett, Lambros Malafouris
Visualising Environmental Agency
"Agents are defined as persons or things, which have the ability and intention to "cause" something "in the vicinity" or "in the mileau" to happen ( Gell 1998)"
"These latter artefacts are described with the term "index", to remove the appellation "art" and to imply that they are indexes of agency."
Some Stimulating Solutions, Andrew Cochrane.
Template and Form 2010.The Yard,Winchester.
Saturday, 22 March 2014
Friday, 21 March 2014
Collage, Diversions, Contradictions and anomalies
Collage : Assembling Contemporary Art.
Collage, Diversions, Contradictions and anomalies, Sally O'Riley
Black Dog Publishing.
Objects and Traces : Visual Archaeology
Collage : Assembling Contemporary Art.
Collage, Diversions, Contradictions and anomalies, Sally O'Riley
Black Dog Publishing.
Collage, Diversions, Contradictions and anomalies, Sally O'Riley
Black Dog Publishing.
Objects and Traces : Visual Archaeology, a photo by Russell Moreton on Flickr.
In the "process" : Working in the Granary.
Russell Moreton
Spatial Practices MA, UCA Canterbury.
Visual artist who currently uses simple descriptive gestures and processes drawn directly from the human body. His practice continues to explore issues around "Spatiality" and the "Postmodern Human Condition". The use of site specificity and materials "at hand" are employed to further underpin the practitioners sense of place, memory and dwelling. His descriptive working narratives are in effect physical working ideas, spatial entanglements between the relations of life and art.
Drawing.
Installation and Working Sites
Architectural Glass and Ceramics
Liquid Light and Pinhole Photography
Thursday, 6 March 2014
Friday, 28 February 2014
Working Visuals #10
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Spatial Intelligence
New Futures for Architecture
Leon van Schaik
Archaeological Site, Morn Hill, Winchester.
Drawing Scripts : Light Sensitive Spaces. #1
Working Notes/Scripted Drawing
Contents/Space Page
"Boundaries and junctions points are in the nature of things points of friction"
Lefebvre, The Production of Space.
The act of "blocking in" the dimensions of another space within the continuum of another can propose to create a temporal junction between a host space and a new site within this host, a guest. This activity also has associations with nomadic and agricultural-pastoral societies as they use paths and routes as spatio-temporal markers or determinants.
R Moreton, Working Notes, Spatial Practices, Canterbury
Drawing with Layered Architectural Drawings
Site
Arte Povera
Material
Body
Social Space
"Translates the painterly relationship of figure and ground into the space of real situations"
The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne.
Modern Art Oxford, 2004-2005.
Sunday, 16 February 2014
Thursday, 13 February 2014
Wednesday, 12 February 2014
Tuesday, 11 February 2014
Monday, 10 February 2014
Sunday, 9 February 2014
Saturday, 8 February 2014
Working Visuals #3
vrhythmanalysis : Space, Time and Everyday Life.
Lefebvre
Jannis Kounellis
Carlo Scarpa
"Translates the painterly relationship of figure and ground into the space of real situations"
The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne.
Modern Art Oxford, 2004-2005.
Friday, 7 February 2014
Leylines : Cyanotypes from Tidbury Ring (Front dust jacket)
Artist’s Book: white and coloured pages, card covers with cyanotype of Winchester Cathedral.
A hand bound book comprising of five signatures each with four folios. This book contains a collection of postcards made from contact prints and photograms from Tidbury Ring using the cyanotype process. Other pages contain some cyanotype paintings/abstracts around the theme of dwelling and hut. Silver gelatine images of St Catherine’s Hill are present as are some experimental pinhole photography.
Monday, 3 February 2014
The Laboratory , Canterbury 2009
Tim Ingold
MAKING 2013
Anthropology, Archaeology, Art and Architecture.
Practical Geometry
The Architect and The Carpenter
The Cathedral and The Laboratory
Templates and Geometry
The Return to Alchemy
Cyanotype image from pinhole camera with sound intervention/device within the apparatus of the camera, performative material gathered from the Canterbury School of Architecture.
UCA Spatial Practices MA under Oren Lieberman.
Social Space : The Surveyor
The tale is the map which is the territory
Spatiality : Robert T. Tally Jr.
www.russellmoreton.wordpress.com
Space and Form #1 Drawing.
Space Drawing, derived from a ceramic form fired on the beach at St Ninian's Cave, Scotland 2012.
Cyanotype with pencil on pierced paper with pins, boxed mounted.
www.visitscotland.com/info/towns-villages/st-ninians-cave...
Space and Form #1 Blue.
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Space Drawing, derived from a ceramic form fired on the beach at St Ninian's Cave, Scotland 2012.
Cyanotype with pencil on pierced paper with pins, boxed mounted.
www.visitscotland.com/info/towns-villages/st-ninians-cave...
Sunday, 2 February 2014
Camera Obscura : Kilquhanity 2011. #4
Dark Session's : Shadowy speculations in the pottery. Kilquhanity 2011
Silver gelatin prints from a "room obscura" set up at Kilquhanity, Scotland 2011 as part of "Back to Free school, Drawing out the Archive".
Leylines Installation : Mapping Tool #4
“Leylines” has been appropriated and employed as both a practical and as a conceptual strategy to inquiry into places and localities. Site visits and sensitive dialogues with the other artists at a number of locations have further brought materials and processes into the creative realm. The spatial practice of setting-up this work has also produced insightful local knowledge from those dwelling nearby.
Beams and Netting: Negotiations in the chamber.
Clay, Hessian, drawings and transparencies from architectural openings, drawing frame, antique glass, lead and nylon lines.
This intervention into a listed building has become a temporary refuge for a work in progress. The work attempts to show a creative agency as it encounters a host of installed hierarchies and conditions. The architectural motif on the drawings has been derived directly from the open apertures of the chamber, and these drawings also reference the supportive ironwork (Ferramenta) which has been playfully re-registered as a graphic leyline . A drawing frame similar to that used in archaeology for drawing has been adapted to illustrate the relative positions of the leyline as registered by the ordnance survey grid, both terminuses being labelled on the frames periphery.
Anthropomorphic Vessels : Correspondence.
Cyanotype Drawing/Digital Imaging
independent.academia.edu/RussellMoreton
russellmoreton.tumblr.com/archive
Drawing Scripts : Light Sensitive Spaces. #3
Gridshell Interior : Singleton Open Air Museum.
Photographic Diagram : The Setting out of Borrowstone Rig (fragment)
Time Stands Still, Keith Critchlow
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