Tuesday, 25 October 2022

bricolaged notes from STUDIO UNBOUND : Lane Relyea

Institutional Critique : Studio/Post Studio Activity

The Function of the Studio
Daniel Buren

The Studio is no longer as seen as belonging to a system.
No longer a retreat but it now INTEGRATES

It is all exterior.
The Network places the artist as a 'like item' within an integrative inventory or database.

Networks are both integrative and decentralizing in that they privilege casual or weak ties over formal commitments.

Being part of a network that privileges itinerancy and circulation over fixity, that diminishes hierarchies and boundaries in favour of mobility and flexibility across a more open extensive environment. 


'The Studio made into a showroom display'
Antagonism and Relational Aesthetics. 2004
Claire Bishop

The Individual and The Social
A place where meanings, properties and behaviors fluctuate radically.
Bennett Simpson. Can you work as fast as you like to think. 2003







https://www.flickr.com/photos/russellmoreton/


The hosting/re-created artist's workspaces, like a threshold between private and public actuality and potentiality.

Spaces of Fluid Interchange Between Objects, Activities, People.

Today studio and museum are superseded by more temporal, transient events.

The Notion of the Evolutionary Exhibition.
Placing greater emphasis on INFORMATION, DISCUSSION and GATHERINGS

Establishing NETWORKS, fluctuating between highly specialized work by scientists, artists, dancers and writers
Obrist/Vanderlinden, Laboratorium, Antwerp. 1999

MODULATION, Deleuze

Immaterial Social Acquaintances/Information

Along with the rise of Networks comes a new Ideology, one that Advertises Agency, Practice and Everyday Life.

The Dividual (The New Mobile Creator) Deleuze
Someone who is 'UNDULATORY In ORBIT, in a CONTINUOUS NETWORK



Colour Nexus : Promiscuous Mobility

Material Flows 2007/2017 Towards Disentanglement

Social behaviour is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration.
Franco "bifo" Berardi

OBSCURED MATERIAL
The Modulation of the Image






No comments:

Post a Comment