bricolaged notes from STUDIO UNBOUND : Lane Relyea

251022

Institutional Critique : Studio/Post Studio Activity

The Function of the Studio
Daniel Buren

The Studio is no longer as seen as belonging to a system.
No longer a retreat but it now INTEGRATES

It is all exterior.
The Network places the artist as a 'like item' within an integrative inventory or database.

Networks are both integrative and decentralizing in that they privilege casual or weak ties over formal commitments.

Being part of a network that privileges itinerancy and circulation over fixity, that diminishes hierarchies and boundaries in favour of mobility and flexibility across a more open extensive environment. 


'The Studio made into a showroom display'
Antagonism and Relational Aesthetics. 2004
Claire Bishop

The Individual and The Social
A place where meanings, properties and behaviors fluctuate radically.
Bennett Simpson. Can you work as fast as you like to think. 2003

https://www.flickr.com/photos/russellmoreton/

The hosting/re-created artist's workspaces, like a threshold between private and public actuality and potentiality.

Spaces of Fluid Interchange Between Objects, Activities, People.

Today studio and museum are superseded by more temporal, transient events.

The Notion of the Evolutionary Exhibition.
Placing greater emphasis on INFORMATION, DISCUSSION and GATHERINGS

Establishing NETWORKS, fluctuating between highly specialized work by scientists, artists, dancers and writers
Obrist/Vanderlinden, Laboratorium, Antwerp. 1999

MODULATION, Deleuze

Immaterial Social Acquaintances/Information

Along with the rise of Networks comes a new Ideology, one that Advertises Agency, Practice and Everyday Life.

The Dividual (The New Mobile Creator) Deleuze
Someone who is 'UNDULATORY In ORBIT, in a CONTINUOUS NETWORK



Colour Nexus : Promiscuous Mobility

Material Flows 2007/2017 Towards Disentanglement

Social behaviour is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration.
Franco "bifo" Berardi

OBSCURED MATERIAL
The Modulation of the Image

• Russell Moreton
• visual art
• visual fine art
• spatial practice
• research creation
• ecology of experience

Visual Poetics/Bricolage/Red is not a colour : The Studio/Space of Real Situations

Spatial Collage : Research/Discourse/Apparatus

Farnham University of the Creative Arts

rhythmanalysis : Space, Time and Everyday Life.

Lefebvre

Jannis Kounellis

Carlo Scarpa

Translates the painterly relationship of figure and ground into the space of real situations

The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne.

Modern Art Oxford, 2004-2005.

Timothy Morton : Realist Magic

The elasticity of sensation, affective and wonderous

Red is not a Colour. Bernard Tschumi.

bricolaged notes  from STUDIO UNBOUND : Lane Relyea

Institutional Critique : Studio/Post Studio Activity

SPATIAL AGENCY : Spaces of Fluid Interchange Between Objects, Activities, People.

Today studio and museum are superseded by more temporal, transient events.

The Function of the Studio

Daniel Buren

The Studio is no longer as seen as belonging to a system.

No longer a retreat but it now INTEGRATES

It is all exterior.

Material Flows 2007/2017 Towards Disentanglement

Social behaviour is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration.

Franco "bifo" Berardi

The Network places the artist as a 'like item' within an integrative inventory or database.

Networks are both integrative and decentralizing in that they privilege casual or weak ties over formal commitments.

Being part of a network that privileges itinerancy and circulation over fixity, that diminishes hierarchies and boundaries in favour of mobility and flexibility across a more open extensive environment. 

'The Studio made into a showroom display'

Antagonism and Relational Aesthetics. 2004

Claire Bishop

The Individual and The Social

A place where meanings, properties and behaviors fluctuate radically.

Bennett Simpson. Can you work as fast as you like to think. 2003

The hosting/re-created artist's workspaces, like a threshold between private and public actuality and potentiality.

The Notion of the Evolutionary Exhibition.

Placing greater emphasis on INFORMATION, DISCUSSION and GATHERINGS

Establishing NETWORKS, fluctuating between highly specialized work by scientists, artists, dancers and writers

Obrist/Vanderlinden, Laboratorium, Antwerp. 1999

MODULATION, Deleuze

Immaterial Social Acquaintances/Information

Along with the rise of Networks comes a new Ideology, one that Advertises Agency, Practice and Everyday Life.

The Dividual (The New Mobile Creator) Deleuze

Someone who is 'UNDULATORY In ORBIT, in a CONTINUOUS NETWORK

Colour Nexus : Promiscuous Mobility

OBSCURED MATERIAL

OUTPOST STUDIO 3.16

Notes from sketchbooks

Apokatastasis : Jim Jarmusch, Jozef Van Wissem

Spatial Asperity/Mesh, Membrane and Gauze

Drawing and its attempts to map out/make visible contingent things

Contingency, is what remains, as it comes up against causality/constantly passing through

Objects/Things conceptualized by the exploration of drawing (intervals of blindness)

Linking Surface to the Aesthetic Experience of Space.

Experiences incorporating interests with environmental textures into Art.

Points of Contact/Confluence of Circumstances

Materials bound by contact/canvas

Patina, absences, gesso, textile wrappings, field chalk, exhumed oyster shells, yellow ochre,

A philosophy of Reading

Solitude/Libraries : Cell/Court/Domain

Clay, Waxed Surface, Liquid Rust, Calico,

Sensate Bandages/Windings/Armatures : Corporeal Landscapes/Assemblages/Things

Social Architectures/Anthropologies/Imaginary Projects

Sally Mann : Matter Lent/Collodion wetplate negatives

Corpus, liquid light, flesh, spirit, trace, outline, human body, performative,

Working Title : "you are immersed in an illusionary, yet sensate, world"

Space Between People

How the virtual changes physical architecture
Stephan Doesinger

This book shows how the virtual has completely changed the physical world around us. If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures - a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects - illustrate the mindbending possibilities of digital design. In the books final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.


Non Spaces : Fire escape Winchester School of Art

Meshworks/Norwich : Midway/Dante
Beginning as one always does in the middle, in mediis rebus, one experiences a sense of disorientation, a sort of cartographic anxiety or spatial perplexity that appears to be part of our fundamental being-in-the-world. It is an experience not unlike that of Dante, in the opening lines of his Commedia:

Midway along the journey of our life,
I woke to find myself in a dark wood,
for I had wandered off from the straight path.

( Dante 1984 : 67)
Introduction : Spatiality .
Robert T. Tally Jr.
the New Critical Idiom, Routledge 2013

Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

Transparent Folder : Tarkovsky Polaroids

Transparent Folder : Rodin - Beuys

Transparent Folder : The Politics of Things

Transparent Folder : Nineteen Eighty-Four