IMMATERIAL / REPETITION / SINGULARITY
ENCLOSURES / ITERATIONS / THINKING FORMS
MINIMALIST SPACES / INTERVALS, tuning objects to construct environments
Mediating the experience of LANDSCAPE
SITE / COLLAGE COMPONENTS working/walking, developing a creative spatial syntax COLOUR AS CONDUIT / PERCEPTUAL ENVIRONS / CRAFT MEDIA / IMPROVISATION PIERCED DAPPLED NATURAL LIGHT
DIFFERENTIATED SHADOW / SURFACE
EXTRAORDINARY MATERIALS / TECTONICS AND TEXTILES INDEXICAL / GESTALT VISUAL PERCEPTION
NETWORKS / RESOURCES / AGENCY for the potential of BUILDING SCAFFOLDS / GAUZE / POCHE solids of a building/architectural plan ABSENCES / INTERSECTIONS / GRIDS / MESHES / SPRAYS / MOTIFS ACTUALITY
Walking creates its own feedback loop, The Journey, The Return,
The specific, Here and Now
Psychogeography, Dossier, Forensic Study, Inquiry.
Spatial Abstractions : Reflexivity on Reflection. Embodiment on Experiential Subjectivity
LANDSCAPES Constituted by creative practice
Walks as erasures, sedimentation, (Gardiner on painting)
Quotidian/Everyday Interests, Complexities of Contemporary Life. Ambients, Phenomenas, Objects, Subjectivities,
Everyday aesthetics, heuristic practice,
RAVENINGHAM THEMES : Working Notes
The 'exigencies' of the situation at hand.
Tim Ingold, MAKING. Spatial Intelligence
New Futures for Architecture Leon van Schaik
Spatial intelligence builds our mental space. Sensing Spaces
Architecture Reimagined Oak-Framed Buildings. Rupert Newman
Heidegger for Architects
Adam Sharr
MAKING : ANTHROPOLOGY, ARCHAEOLOGY ART AND ARCHITECTURE
Tim Ingold
Touching objects, feeling materials
The Cathedral and the Laboratory
A Hut of One's Own
Anne Cline
Solar Pavilion
Alison and Peter Smithson Architecture is not made with the brain
The Parallel of Art and Life
Aesthetics about Perception Poetics about Production
HERZOG & DEMEURON NATURAL HISTORY
My studio is a piece of architecture that is silent. Speculative Architecture
On The Aesthetics of Herzog & De Meuron
The Thinking Hand
Existential and Embodied Wisdom in Architecture
Juhani Pallasmaa
The Architecture of Natural Light. Henry Plummer
Peter Zumthor
Hortus Conclusus Serpentine Gallery Pavilion
The Potentials of Spaces
The Theory and Practice of Scenography and Performance. Alison Oddey, Christine White
See Yourself Sensing Redefining Human Perception. Madeline Schwartzman
Collage and Architecture. Jennifer A. E. Shields
COLLAGE
Assembling Contemporary Art. Sally O'Reilly
Construction/Abstraction Body/Identity Environments/Geographies
Indexical
Absences
Actuality Immaterial Architectural Sensing Surfaces,
Textures
Dimensions, Sprays, Trace
Repetition, Empirical Experiences
Forms, Pavilion, Hut, Shelter, simple enclosure
Minimalist, tuning objects, sequences to construct/de-construct environments
Reflexive Surfaces into architectural presence
Art as indeterminate, able to arrest perceptions into different states/becomings
Site, undoing of place.
Gauze/Filtered Light/Phenomena
Gesture of the work, its situation,
Meshwork. The drawing grid, making of a proposition into space.
Cyan, Sky Blue, dappled light, membrane, responding to the weather/locality
AA Pavilion Project,
Its about learning through making, being involved in the process, the installation and its reception, dislocating contextual barriers.
Ephemeral Architectures, AA Document/Project, Prizeman
Immaterial Architecture : Waverley Pavilion Building The Drawing
The drawing as analogue allows more subtle relations, of technique, material and process, to develop between drawing and building.
Immaterial Architecture The Illegal Architect Jonathan Hill
Oak
Tree
Oil
Paper
Plaster
Rust
Sgratfito
Silence
Sound
Steel
Television
Weather
Frosted Light
Index of immaterial architectures
TRANSPARENCY : LITERAL AND PHENOMENAL. Colin Rowe, Robert Slutzky
Interactions of the Abstract Body. Josiah McElheny
Object Lesson
Interactive Abstract Body (Square) The Spatial Body (After Fontana)
Tracing Eisenman
Stan Allen
Indexical Characters FABRIC=MASS+ FORM
Alan Chandler
The interest in fabric formwork is in its deployment in a building process, which is faster than conventional formwork. Fabric formwork is inherently more sustainable due to the minimising of both concrete and shuttering, and more radically, allows the constructor to intervene in the process of casting even as the cast is taking place.
ANTI OBJECT Kengo Kuma
We are composed of matter and live in the midst of matter. Our objective should not be to renounce matter, but to search for a form of matter other than objects.
What that form is called- ARCHITECTURE, GARDENS< TECHNOLOGY is not important. ReThinking Matereriality
The engagement of mind with the material world. Elizabeth DeMarrais, Chris Gosden. Colin Renfrew
The Affordances of Things
Towards a Theory of Material Engagement Aesthetics, Intelligence and Emotions Relationality of Mind and Matter
Material Agency
Towards a Non-Anthropocentric Approach. Carl Knappett, Lambros Malafouris
At The Potter's Wheel: An Argument for Material Agency
We should replace our view of cognition as residing inside the potter's head, with that of cognition enacted at the potter's wheel.
The Neglected Networks of Material Agency : Artefacts, Pictures and Texts
Material Agency as Cognitive Scaffolding
The Cognitive Life of Things
Material Engagement and the Extended Mind. Lambros Malafouris, Colin Renfrew
Minds, Things and Materiality. Michael Wheeler
Communities of Things and Objects : A Spatial Perspective Carl Knappett
Imagining the Cognitive Life of Things. Edwin Hutchins
Things and Their Embodied Environments
Architectures for Perception
Structuring Perception through Material Artifacts. Charles Goodwin
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