Outpost 200623
Sensing Spaces/Caryatid.
Painting Matter, Lime, Gesso, Charcoal, and Indian Ink on paper.
Water.
Ceramics and Architecture.
Architectural Stratifications, Carlo Scarpa, Intervening with History.
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The Placing of Pots.
The Hungate.
The Wonder Of Minor Experiences.
A Brief Phenomenology of Enchantment.
A Moment of Pure Presence.
Enchantment entails a state of wonder, and one of the distinctions of this state is the temporary suspension of chronological time and bodily movement. To be enchanted, then, is to participate in a momentarily immobilizing encounter; it is to be transfixed, spellbound.
Jane Bennett
The moment of pure presence within wonder lies in the object's difference and uniqueness being so striking to the mind that it does not remind us of anything and we find ourselves delaying in its presence for a time in which the mind does not move on by association to something else.
Philip Fisher.
Analysing The Observed.
To abstract from the observed means to simplify the complexities of seeing.
Piet Mondrian.
Space and Form are ignored in this type of Abstraction, the Lines and their Vectors of Movement become a Map, Mapping Forces onto the Surface of the Picture.
Thinking with directional, durational markings/feelings/intuitive judgements.
Small Perceptions/Perceptions in Folding.
Small perceptions are as much the passage from one perception to another, as they are components of each perception.
Deleuze, 1993.
Small perceptions are like what Arakawa and Madeline Gins call imaging landing sites.
Relationscapes.
Erin Manning.
'Incoherence' exists, which is why the composition 'Art' exists.
Art allows us to think the unthinkable, to posit one paradox after another in the hope of firming up wisps of our lives and feelings by transfiguring them. By giving them a shape, a design, a coherence, even if they remain forever incoherent.
Andre Aciman/Edmund de Waal.
For nearly fifty years my darkroom and studio have been the focus of my solitude.
Landing Sites.
The Expanding Field of Relations.
Organism/Person/Environment
I need silence to be able to think clearly, and an empty space where my thoughts can accumulate undisturbed.
Duration.
The not yet meets the already gone.
A fluid flowing time which is intertwined with an experience of being, where past, present and future merge into an experiential time of the individual being/becoming.
Steven Holl.
Darkrooms were dangerous places as well as magical ones, they are a painful metaphoric yoking of creation and destruction.
My final print is a golden square enclosing the pinkest dusk sky I had ever seen or imagined.
Filtered Light/Pot Metal Colours/Silver Stain/Filtows/Filters/Shadows.
The Light Gatherers.
Bodleian Libraries.
March 2022-October 2023.
Light Laboratory/Creation as Duration.
Glass vessels, as light filters shining the enlarger light through them and creating photograms. Garry's work oscillates with differential velocities. He works with great deliberation and then he works with abandon. I keep thinking about the tension between deliberation and abandon. You look at a painting by Agnes Martin and experience the temporal aspect of lines repeated slowly over days and weeks. A cell like structure repeats and changes, you repeat so that in return you can find the smallest oscillations of difference. An expanded field where you sense the development of different kinds of time, movements and their durations.
Dark Room, Garry Fabian Miller.
Farewell to an Idea, Wallace Stevens/Edmund de Waal.
Haecceity, thisness of things, which engenders feelings between ourselves/things/world.
I was grateful to have been able to live with so much pure colour for so long.
Space-Enfolding-Breath
Lake Of The Mind.
Ideas are already abstract.
Abstracted Transcriptions.
Drawing, Vectors and Forces of Subjectification.
Lines, mappings of forces across the surface of the picture.
Drawing on, analysis with, Dominants.
Formed by the dynamic forces derived from the outlines of objects and their surrounding spaces.
Palimpsest Collages
Psychogeographic Mappings
Architectural Models
The Process of Drawing/Building is Left Visible.
Psychogeography, Merlin Coverley.
Crafting Recovery and Regeneration.
Transformative Reconstruction.
SPAB, Summer 2023.
Michal Saniewski.
Falerone, San Francesco Monestry. Italy.
It's the forefront of modernisation, something that we thought the city was. The countryside is still the place where new ideas and experimentation actually take place..
Countryside : The Future.
Guggenheim Museum, 2020.
Heritage Conservation/Preservation
How do we insert new fabric into old and respect layers of history, of which the earthquakes are an inherent part? Perhaps some of the scars and cracks should be preserved to serve as a poignant reminder of the past, becoming a living memorial? And perhaps there is potential to develop a new language of additive, 'surgical' architecture, where the contemporary timber frames serve a protective function, supporting and bracing the damaged medieval walls, but at the same time can be inhabited, framing new uses and reprogramming internal spaces.
The reconstruction process should be used as an opportunity to add value beyond what existed before the earthquake.
Exploring possible new functions and uses of currently empty spaces and damaged buildings, the local community was asked to participate in the act of psychogeographic mapping and thus rediscovering and revaluating the town on different levels.
Key themes of the New European Bauhaus initiative.
Renovation of existing buildings and public spaces in a spirit of circularity and carbon neutrality.
Preservation and transformation of cultural heritage.
Regeneration of urban or rural spaces.
Could Falerone become an experimental hotbed, an example of sustainable, community-driven reconstruction of urban fabric and place identity? The new crafts school could be an opportunity to achieve just that, stimulating collaborations not just with other towns and universities, but with regional authorities and even with the EU.
Studio Cyanotypes.
Tools/Working Drawings and the Semblances of Spatial Agencies.
Keywords.
Visual Substance, Causal Doing, Investigating, Inquiry, Process, Agency, Matter, Material, Discursive, Iterative, Creative Apparatuses, Intra-Activity, Performativity, Bodies That Matter,
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