Curriculum Making : The Enactment of Dwelling in Places.

 

What shall I do next?

Tim Ingold

Re-registering Overlapping Spaces

Spatial Practices.

UCA Canterbury.

A diffractive methodology is a knowledge-making process.

Liminality/Glass/Display/Presentation.

How things work in art museums.

Creative processes of presentation, a spatiality for narratives that can navigate the spaces between objects

What shall I do next?

Tim Ingold

Reading Matter/Rooms.

The Lake of The Mind.

Stochastic Thinking.

Steven Holl.

Raveningham : Site-specific project place

The Garden of Ongoing Differences.

Diffraction/Energy/Analysis/Attunement 

Public intimacies, personal dialogues in social spaces.

'Blocking In' of a private studio space of creative inquiry into the public realm as a permeable intervention.

Curriculum Making.

The Enactment of Dwelling in Places.

An Ontology of Dwelling.

The dwelling ontology we want to describe rejects any possibility of living in the world through mental schemas of the world, and insists that the material-relational world is the only world in which we live, the only source of our capacities to communicate and learn, the only world in which our activities take effect, and the only world in which meaning inheres.

Greg Mannion, Hamish Ross.

Tim Ingold is an anthropologist who has looked at the interface between people and the environment. In The Perception of the Environment, he argues that ecological psychology and the philosophical writings of Heidegger and Merleau-Ponty share the view that the world becomes  meaningful through active inhabitation, or 'dwelling', rather than cognitive representation. 

Exploratory Ceramic/Spatial Practice

Slab Built Ceramics.

Ferini Gallery 2023.

' Splitting ' constructions after Gordon Matta-Clarke.

Terracotta and Oxides/Glaze.

Intermediaries/Making

Capacitances.

Vessels for relationships between movements.

Space/Surface/Volume 

Spatial Agency/Enactments of Organism-Person-Environment.

Gins and Arakawa.

Physical Models

Speculative Drawings/Diagrams/Maps and Charts are all a symbolic depiction emphasizing mapping relationships.

Assemblages

Liminality/Superposition/Luminous

Coloured and Filtered Light.

Architectural Glazes/Surfaces/Textures.

Materials/Substances/Natural Qualities.

Lead/Iron/Cotton/Canvas/Clay

Painting and Drawing Substances/Chemicals/Raw Materials.

Sprays/Objects/Screens/Templates/Resists/Piercings.

Body-Craft

Corpus/Body/Surface/Skin/Thickness/Wall/Volume/Void.

Dialogues between the body/material and process.

Vessels for materiality.

Edges/Forms of Human Mortality.

Trace/Disappearance/Drawing/Limits/Boundaries.