Drawing Into The Human Form/The Architectural Body

 Drawing Into The Human Form.

Its conceptual frameworks, aesthetics and contexts.

Inclusions/Enclosures/Involuntary Mappings and Erasures.

Figuring it out, sensuality through making the drawing heard.

Drawing from a blindness, a memory of seeing.

Derrida.

Drawing into the perspectives and  sociological relationships of the Architectural Body, organism/person/environment.

Gins and Arakawa.

Explanations/Gestures of Looking and Mark Making.

Scale/Proximity/Seeing Distance/Situatedness/Environment/Art Work.

Haptic Seeing/moving over the surface of the sociological subject.

Frottage, life drawings with involuntary textures and marks derived from their particular locality and working methods, concrete floors, wooden floorboards, graphite sticks, charcoal, pencil and wax crayons.

The body and its nakedness becomes the instrument of our emotions and our sensuality.

The Psychology of Nakedness.

Naked to Nude, Life Drawing in the Twentieth Century.

Georg Eisler.