Anarchive Workings~Layered Making/Indexical Relationscapes : Interventions into models/stratifications of research

Interior Design MA~Anarchive

An anarchive is a creative process and philosophy that resists traditional, static archiving. Instead of just storing past traces, it acts as a "feed-forward mechanism" that uses archival material to continuously spark new art, sensations, and becoming.

Spatial Apparatuses, Building/Social Devices and Agendas/Rooms

Indexical Relationscapes.

Events as Interventions producing Intraventions from Sociology, Architecture and the Humanities/Contemporary Arts.

Relationscapes

Erin Manning

Movement/Art/Philosophy

 

For Brian.

The self is only a threshold, a door, a becoming between two multiplicities.

Gilles Deleuze and Felix Guattari, A Thousand Plateaus.

Waverley Project : Areas of Project Research. 

The Reading Room (a library of subjective taxonomies on the alchemy of building)

The Listening Room (a soundscape interior in time with its environment)

The Sheltering Corridor (a modernist Stoa as a place for encounters/dialogues)

The Pot Room (a installation of thrown objects creating the interior partitions)

The Empty Studio (a adaptation of architecture through the ritual of creativity)

The Perception of The Environment, Livelihood, Dwelling and Skill. 

Tim Ingold.

Archaeology, Anthropology, Art and Architecture.

Anti-Object.

‘A building intervenes between subject and space.’ Kengo Kuma

Caruso St John : The Phenomenology of Construction  

Things.

‘As found is a small affair, it is about being careful, the as found (is) where the art is in the picking up, turning over and putting with. Things need to be ordinary and heroic at the same time.’ Alison and Peter Smithson

Public Intimacy in Social Spaces.

Architecture and The Contemporary Arts.

Learning through Making, (The Parallel of Life and Art) Anthropology, Archaeology, Art and Architecture.

Visitor’s Centre, with interpretive exhibition (Stonehenge/Denton Corker Marshall) or an immersive intervention (Winchester Cathedral,Anima-Animus/Elferova and Wilson).

A place where the interior space evokes a sense of place/a becoming (Existential, Historical, Social, Cultural) see ‘The Physical Self’ exhibition curated by Peter Greenaway. The Fate of Place/Human Sociology.

A contemplative space or spiritual/secular retreat featuring a series of interventions (Follies/Pavilions/Huts/Heidegger/Tschumi) that focuses the gaze on a particular view or detail, framing a distant reference (landmark or natural phenomenon, research into Lutyen’s ‘Thunder House’ for Gertrude Jekyll).

Museum of Wisdom. Kengo Kuma.

Noh Stage In The Forest. Kengo Kuma.

Hortus Conclusus. Peter Zumthor.

The Solar Pavilion. Alison and Peter Smithson.

The Secular Retreat, Living Architecture. Peter Zumthor.

Heidegger/Hut,

Bachelard/Poetics,

Ingold/Making.

Construct (Definition) DSC_0029
Ann Cline
A Hut of One's Own
Life Outside The Circle of Architecture.

Herzog  and De Meuron
NATURAL HISTORY

Walking and Mapping

Speculative Environments/Ecolects

Spatial Collage/Assemblage : Yellow/Lead/Photography

Fragments and layers from, Winchester Cathedral, Tidbury Ring Geodesic Dome, Star Atlas.  

Brian Clarke. Beauties (from the two Cultures) 1981.

Brian Clarke. The Office of The Dead 2008. 

It was the region, not the nation, which was the motor force of human development; the almost sensual reciprocity between men and women and their surroundings, was the seat of comprehensible liberty and the mainspring of cultural evolution.

Cities of Tomorrow, Peter Hall.1988

Anarchism, A very short introduction, Colin Ward.2004

Foucault, Sexuality and the 'Confessing Animal' 

https://sondermag.wordpress.com/2016/09/02/foucault-sexuality-the-confessing-animal-josh-mcloughlin/

My photographs are part of my way of thinking about and imagining spaces and light, of pondering and approaching an idea. In this case, the photographs generate a way of looking at a structure that exists only in order to provoke a sensorial and intellectual experience.

Cristina Iglesias : METONYMY 2013

https://literarydevices.net/metonymy/

https://www.simplypsychology.org/Zone-of-Proximal-Development.html

fig496 Proximity
10 Days at The Laundry : Winchester UK

Architectural Transposition : Anti-Object
Kengo Kuma's, Transparent and temporary shelter at Waverley Abbey

Possible Worlds
The Sensual Reciprocity of This Enchanted Isle

UCA MA Interior Design 2015

Architectural Stratification/Installation : Crafting/Painting Transformative Reconstructions/Relationscapes

Outpost 200623

Sites of building over lived lives.

Of doing and un-doing, of being~becoming un-done by theory. 

For Manning, Arakawa and Gins, the challenge is that the procedures of a procedural architecture (its architecting) must continuously be reinvented to stay apace with the architecting of experience. And this procedure must be crafted with care, it must be relevant to the conditions already at hand.

Dress Becomes Body in The Minor Gesture, Erin Manning. 2016 

Sensing Spaces/Caryatid.

Painting Matter, Lime, Gesso, Charcoal, and Indian Ink on paper.

Clay.

Water.

Ceramics and Architecture.

 Architectural Stratifications, Carlo Scarpa, Intervening with History. 

The Placing of Pots.

The Hungate.

The Wonder Of Minor Experiences.

A Brief Phenomenology of Enchantment.

A Moment of Pure Presence.

Enchantment entails a state of wonder, and one of the distinctions of this state is the temporary suspension of chronological time and bodily movement. To be enchanted, then, is to participate in a momentarily immobilizing encounter; it is to be transfixed, spellbound.

Jane Bennett

The moment of pure presence within wonder lies in the object's difference and uniqueness being so striking to the mind that it does not remind us of anything and we find ourselves delaying in its presence for a time in which the mind does not move on by association to something else.

Philip Fisher.

Analysing The Observed.

To abstract from the observed means to simplify the complexities of seeing.

Piet Mondrian.

Space and Form are ignored in this type of Abstraction, the Lines and their Vectors of Movement become a Map, Mapping Forces onto the Surface of the Picture.

Thinking with directional, durational markings/feelings/intuitive judgements.

Small Perceptions/Perceptions in Folding.

Small perceptions are as much the passage from one perception to another, as they are components of each perception.

Deleuze, 1993.

Small perceptions are like what Arakawa and Madeline Gins call imaging landing sites.

Relationscapes.

Erin Manning.

'Incoherence' exists, which is why the composition 'Art' exists.

Art allows us to think the unthinkable, to posit one paradox after another in the hope of firming up wisps of our lives and feelings by transfiguring them. By giving them a shape, a design, a coherence, even if they remain forever incoherent.

Andre Aciman/Edmund de Waal. 

For nearly fifty years my darkroom and studio have been the focus of my solitude.

Landing Sites.

The Expanding Field of Relations.

Organism/Person/Environment

I need silence to be able to think clearly, and an empty space where my thoughts can accumulate undisturbed.

Duration.

The not yet meets the already gone.

A fluid flowing time which is intertwined with an experience of being, where past, present and future merge into an experiential time of the individual being/becoming.

Steven Holl.

Darkrooms were dangerous places as well as magical ones, they are a painful metaphoric yoking of creation and destruction.

My final print is a golden square enclosing the pinkest dusk sky I had ever seen or imagined.

Filtered Light/Pot Metal Colours/Silver Stain/Filtows/Filters/Shadows.

The Light Gatherers.

Bodleian Libraries.

March 2022-October 2023.

Light Laboratory/Creation as Duration.

Glass vessels, as light filters shining the enlarger light through them and creating photograms. Garry's work oscillates with differential velocities. He works with great deliberation and then he works with abandon. I keep thinking about the tension between deliberation and abandon. You look at a painting by Agnes Martin and experience the temporal aspect of lines repeated slowly over days and weeks. A cell like structure repeats and changes, you repeat so that in return you can find the smallest oscillations of difference. An expanded field where you sense the development of different kinds of time, movements and their durations.

Dark Room, Garry Fabian Miller.

Farewell to an Idea, Wallace Stevens/Edmund de Waal. 

Haecceity, thisness of things, which engenders feelings between ourselves/things/world.

I was grateful to have been able to live with so much pure colour for so long.

Space-Enfolding-Breath

Lake Of The Mind.

Ideas are already abstract.

Abstracted Transcriptions.

Drawing, Vectors and Forces of Subjectification.

Lines, mappings of forces across the surface of the picture.

Drawing on, analysis with, Dominants.

Formed by the dynamic forces derived from the outlines of objects and their surrounding spaces.

Palimpsest Collages

Psychogeographic Mappings

Architectural Models

The Process of Drawing/Building is Left Visible.

Psychogeography, Merlin Coverley.

Crafting Recovery and Regeneration.

Transformative Reconstruction.

SPAB, Summer 2023.

Michal Saniewski.

Falerone, San Francesco Monestry. Italy.

It's the forefront of modernisation, something that we thought the city was. The countryside is still the place where new ideas and experimentation actually take place..

Countryside : The Future.

Guggenheim Museum, 2020.

Heritage Conservation/Preservation

How do we insert new fabric into old and respect layers of history, of which the earthquakes are an inherent part? Perhaps some of the scars and cracks should be preserved to serve as a poignant  reminder of the past, becoming a living memorial? And perhaps there is potential to develop a new language of additive, 'surgical' architecture, where the contemporary timber frames serve a protective function, supporting and bracing the damaged medieval walls,  but at the same time can be inhabited, framing new uses and reprogramming internal spaces.

The reconstruction process should be used as an opportunity to add value beyond what existed before the earthquake. 

Exploring possible new functions and uses of currently empty spaces and damaged buildings, the local community was asked to participate in the act of psychogeographic mapping and thus rediscovering and revaluating the town on different levels.

Key themes of the New European Bauhaus initiative.

Renovation of existing buildings and public spaces in a spirit of circularity and carbon neutrality.

Preservation and transformation of cultural heritage.

Regeneration of urban or rural spaces.

 

Could Falerone become an experimental hotbed, an example of sustainable, community-driven reconstruction of urban fabric and place identity? The new crafts school could be an opportunity to achieve just that, stimulating collaborations not just with other towns and universities, but with regional authorities and even with the EU. 

Studio Cyanotypes.

Tools/Working Drawings and the Semblances of Spatial Agencies.

Keywords.

Visual Substance, Causal Doing, Investigating, Inquiry, Process, Agency, Matter, Material, Discursive, Iterative, Creative Apparatuses, Intra-Activity, Performativity, Bodies That Matter,