Mesh/Material/Light : Cyanotype Process/Indexical Remains

Cyanotype is a photographic printing process that produces a cyan-blue print. Engineers used the process well into the 20th century as a simple and low-cost process to produce copies of drawings, referred to as blueprints. The process uses two chemicals: ammonium iron(III) citrate and potassium ferricyanide.

The English scientist and astronomer Sir John Herschel discovered the procedure in 1842.[1] Though the process was developed by Herschel, he considered it as mainly a means of reproducing notes and diagrams, as in blueprints.[2] It was Anna Atkins who brought this to photography. She created a limited series of cyanotype books that documented ferns and other plant life from her extensive seaweed collection.[3] Atkins placed specimens directly onto coated paper, allowing the action of light to create a silhouette effect. By using this photogram process, Anna Atkins is regarded as the first female photographer.[4]

Intermediary States, Patina and Process/Sensation and Movement

 Intermediary States : Wonderous Mobility/New Individuations

The Abstract Field : Robert Cooper

Organism, Person, Environment : Processional Inquiry/Thinking/Becoming

Francis Bacon, Deleuze on the elasticity of  sensation and movement.

From its most vegetative to its most sublime functions, the living being has need of wonder to move. Irigaray, Ethics of Sexual Difference. 1993

Drawing from the body, creating a transformative force of both air and body

Methodologies for Spatial Agency, thinking in movement between potentialities 

On the Nature of Photography/Contingent Assemblages 

Spaces of wonder between process, material and becoming with the world

Monochromatic Paths of Patina and Process of What Remains Remembered

Anachronistic Makings : Thrown Ceramics and Pinhole Photography

Inscribed markings across the form and surface of a vessel, hollowed out to reflect its reflective void

Leaded window, a frottage as a working drawing

Raku Pot with sepia prints, landscape with pottery

Wrapped, wired and bandaged ceramic, gesso white and linen 

Luminescent veiled and painterley applied light captures an expression of being in the land