Figure and ground made from material gathered from a walk along a Jurassic coastline.
Material absorbed in its own thoughts :
Tuesday, 20 March 2012
Monday, 19 March 2012
Human trace drawing with unfired clay bodyscape 2010
Creative geographies, twinning's of form and template.
Sunday, 18 March 2012
DSC_4709a Vacuity: Space and Surface.
“When Orpheus descends to Eurydice, art is the power that causes the night to open. Because of the power of art, the night welcomes him; it becomes the welcoming intimacy , the understanding and the harmony of the first night. But Orpheus has gone down to Eurydice: for him, Eurydice is the limit of what art can attain; concealed behind a name and covered by a veil. she is the profoundly dark point towards which art, desire, death, and the night all seem to lead. She is the instant in which the essence of the night approaches as the other night.”
— The Gaze of Orpheus: Maurice Blanchot.
www.tumblr.com/blog/russellmoreton
Body and Space.
Hybrid drawing, part trace, part photogram.
Saturday, 17 March 2012
Fragmented vessel of the body.2010 Raw clay and silica sand
In-situ sculptural installation becoming reconstituted back to its material (plastic) state.
Thursday, 15 March 2012
Working Titles. Architectural Space, Natural History and Duration 2011
Working Titles. Architectural Space, Natural History and Duration 2011, a photo by Russell Moreton on Flickr.
Anachronistic Practices: experimental processes and drawings.