Lead, photographic (pinhole) and inkjet visual material from flickr stream, fixing tapes, cyanotype on tracing paper, pierced and re-positioned elements on paper.
Idea is,
the invisible of this world, which inhabits this world, sustains it, and renders it visible
Merleau Ponty
Start by thinking of architecture as a tentative constructing toward a holding in place. Architecture's holding in place occurs within and as part of a prevailing atmospheric condition that others routinely call biosphere but which we, feeling the need to stress its dynamic nature, have renamed bioscleave.
Architectural Body
Madeline Gins and Arakawa
For Steven Holl, the intertwining of idea and phenomena occurs with the realization of a building as the means for the materialization of the idea force
A methodology of connecting phenomenal properties with a conceptual strategy
Camouflage
Neil Leach
For Benjamin, the twentieth century is an age of alienation. Human beings are no longer 'cocooned' within their dwelling spaces. Architectural spaces are no longer reflections of the human spirit. Something has been lost.
Mimesis, 19.
New Concepts of Architecture
Existence, Space and Architecture
Christian Norberg-Schulz
A child 'concretizes' its existential space.
A Philosophy of Emptiness
Gay Watson
Artistic Emptiness
Everything flows, nothing remains.
Heraclitus
Rethinking Architecture
Neil Leach
Figure 1, Sketch by Jacques Derrida for Choral Work project. 343
Foucault, Figure 2 Bentham's Panopticon (1791). 360
Page laid in, The Atrocity Exhibition by J. G. Ballard, new revised edition, annotations, commentary, illustrations and photos.
Tracing Eisaenman
Plenum, juxtaposed to form/haptic values/body absences
Robert Mangold
Between moments of 'meaning' lie spaces or blanks of immediate experience. Such blanks are actuality. Usually the blank, the actuality, goes unnoticed because it works so efficiently to differentiate one meaningful event from another. Kubler discussed this in The Shape of Time.
Interactions of the Abstract Body
Josiah McElheny
Object Lesson/Heuristic Device
The term 'heuristic' is understood here to denote a method of addressing and solving problems that draws not on logic but on experience, learning and testing. In this regard stories and fictional narratives can be heuristic devices in acting as ideal models that are not to be emulated but which help to situate characters, actions and objects.
Space Between People
Degrees of virtualization
Mario Gerosa
Adaptive Architectural Design
Device-Apparatus
Place
Function
Adaptation
The second phase of project activity acknowledges that the proposal involves two sites; the landscape of settlement and the artifice of the factory. The design is intended to be a reflection of the conditions of each, so there was a need to work directly with the manufacturing process, at full scale, as early as possible. This would provide an immediate counterpoint to the earlier representations and a necessary part of exploring the manufacturing medium in the context of architectural design. 69
Building The Drawing
The Illegal Architect
Immaterial Architecture
Mark Cousins suggests that the discipline of architecture is weak because it involves not just objects but relations between subjects and objects. And if the discipline of architecture is weak, then so, too, is the practice of architects. Architecture must be immaterial and spatially porous, as well as solid and stable where necessary, and so should be the practice of architects.
Jonathan Hill
Index of immaterial architectures
Herzog and De Meuron
Natural History
Exhibiting Herzog and De Meuron
We are not out to fill the exhibition space in the usual manner and to adorn it with records of our architectonic work. Exhibitions of that kind just bore us, since their didactic value would be conveying false information regarding our architecture. People imagine that they can follow the process, from the sketch to the final, photographed work, but in reality nothing has really been understood, all that has happened is that records of an architectural reality have been added together.
My studio is a piece of architecture that is silent. The things of which it is made say all and at the same time nothing. Its strength lies in its demanding silence. A stern silence in order to permit works to occur. I imagine that a painting by Newman could be hung there.
The arrival of Beuys in a world that was gradually falling asleep amidst minimalism generated a kind of confusion that was truly excellent for opening up the mind. Comfort vanished, driven away by subversive complexity.
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