Outpost 310522
Painting is a visual experience. People can write about historical or philosophical points they want to get across using certain examples of painting, maybe work that they think might be similar.
They could make a point in so doing, but it usually has very little to do with the painting itself.
I do something with the paint, but I'm not painting a picture of anything.
I'm not manipulating the paint into an illusion of something other than what the paint does.
I make a painting.
Robert Ryman on the Origins of His Art.
David Carrier,Robert Ryman. 1997
Ferini Gallery
Prussian Blue
Material Immediacy
Matter and Mutability
Strange visual spatialities
A space of time and the capacitance between things
Cyanotype postcards of phenomena
Botanical, Astronomical,
Flesh of the film
Subjectivity in forsaken spaces
Robert Ryman
USED paint, Suzanne P. Hudson. 2009
About the 'how' of the material.
Exploration on the nature of paint.
Primer
Painting
Support
Edge
Wall
Edward Thomas
Eno, vessel on a milk white sea
The clay produces an abstracted division of space, letting the material find ones boundary.
studioUS artwork submission
Listing for exhibition at PRIMEYARC, Market Gates, Great Yarmouth.
Studio 3.16 Spatial Apparatus
This large mobile pinhole camera has been used to inquire into the nature of photography and the intermingling of movements and things. The apparatus is used within my art practice which is centred around making, interior design and teaching.
Key Words, temporal agency, spatialities, environs, art practice, apparatus, photography,
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