Palimpsest/Architectural Models/Formworks : Installation/Ceramic Forms/Sketchbooks

 

 

Painting Canvas/Formwork 3mx3m : Shelter/Sensing Place/Painting in the Landscape

FABRIC DEVELOPMENTS = MASS + FORM

Collected Notes : Raveningham Sculpture Trail 2020

Studio Blackboard

ODYSSEY  Aesthetic Intervals/Timbre/Traces  

https://www.axisweb.org/p/russellmoreton/

Raveningham Architectural Canvas/Form

 

Framed-Un-Framed Construction Sensing/Site  2020

Aesthetics between objects

Fragments from note books

Art Works, a constellation of coincidences/intuitions resting the not being made

Re-animating context

Aesthetic perception, how aesthetics are represented in a object by philosophers and scientists  

Espace-Milieu : Painting as environment entanglements

Painting in a landscape situation.

Canvas as spatial phenomena, reading both sides.

Asymmetries between a particular past and a general future

The passing of the present through the pure past

Difference and Repetition : Production/Synthesis of Temporality

Art Practice/Gathered from Everyday Life : Micropolitics of slowness and repetition.

The Living Present, constructed from habits, anticipations and recurrences

Chaos, territory, art 

Deleuze and the framing of the earth

Elizabeth Grosz

Immateriality/Temporal/Transitions material and movement/Human agency

A Species of Spaces

Construction/Making/Collage  

Forming, slowness and repetition, elements of painting

Assemblage, sensation, surface, objects and spaces between them gathered/thresholds

Sheltering/Weathered/ Exploring a fragility of a painting in the landscape

Robert Mangold, Paintings and Architectural Forms

Ephemeral Architecture

Canvas as spatial verb

Yellow Ochre, Molochite, Gesso, Canvas, Paper, Textiles, Wood, Lead, Nails

Canvas as folded construction/shelter/place

Operative Design, A Catalogue of Spatial Verbs

Georg Simmel, text Frames, Handles, Landscapes and the aesthetic ecology of things

03/05/2021

Between Art and Architecture : Studio Processes

 

https://www.flickr.com/photos/russellmoreton/

Outpost 310522

Painting is a visual experience. People can write about historical or philosophical points they want to get across using certain examples of painting, maybe work that they think might be similar.

They could make a point in so doing, but it usually has very little to do with the painting itself. 

I do something with the paint, but I'm not painting a picture of anything.

I'm not manipulating the paint into an illusion of something other than what the paint does.

I make a painting.

Robert Ryman on the Origins of His Art.

David Carrier,Robert Ryman. 1997

Ferini Gallery

Prussian Blue

Material Immediacy

Matter and Mutability 

Strange visual spatialities

A space of time and the capacitance between things

Cyanotype postcards of phenomena

Botanical, Astronomical,

Flesh of the film

Subjectivity in forsaken spaces

Robert Ryman

USED paint, Suzanne P. Hudson. 2009

About the 'how' of the material.

Exploration on the nature of paint.

Primer

Painting

Support

Edge

Wall

Edward Thomas

Eno, vessel on a milk white sea

The clay produces an abstracted division of space, letting the material find ones boundary.

studioUS artwork submission

Listing for exhibition at PRIMEYARC, Market Gates, Great Yarmouth.

Studio 3.16 Spatial Apparatus

This large mobile pinhole camera has been used to inquire into the nature of photography and the intermingling of movements and things. The apparatus is used within my art practice which is centred around making, interior design and teaching.

Key Words, temporal agency, spatialities, environs, art practice, apparatus, photography,