Spatial Agencements~A Research Ecology of Making

A provisional research ecology: material absorbed in its own thoughts. A gathering place for things being made, read, sensed and thought. Images, texts, bodies, spaces and matter(s) move through correspondence, forming tentative rooms of inquiry. Research circulates between depth and surfacing, archive and anarchive, allowing propositions to return, migrate and become otherwise.

Showing posts with label architectural memory. Show all posts
Showing posts with label architectural memory. Show all posts

Saturday, 26 January 2013

Transposition and Superimposition : Drawing for photographic installation.

Transposition and Superimposition : Drawing for photographic installation. by Russell Moreton
Transposition and Superimposition : Drawing for photographic installation., a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Saturday, January 26, 2013 No comments:
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Labels: architectural memory, body forms, drawing, imprint, instances, occupation, seeing, sequence, social space, space, superimposition, surface, temporal, trace, wall space
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Assemblages for Inquiry/Reading (Circus, Sea, Ruin)

  • The Moving Figure : Sociological/Corporeal/Subjective
  • Making
  • Experimental Photography

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Russell Moreton
Harleston, Norfolk, United Kingdom
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      • Persistent Bodies ~ Correspondence Kept~in~Play
      • Withdrawn Ceramic Bodies
      • Attentiveness as a Sensate~Heuristic Inquiry : A S...
      • Hortus Conclusus~The Troubled Hospitality of Inter...
      • Spatial Situatedness as a Spatial Practice : The S...
      • Permeable Chambers ~ Modular Outliers ~ Withdrawn ...
      • Corporeal Traces ~ Ceramic Interiority ~ Things Doing
      • Wayfaring Attentiveness ~ Circulating Impressions ...
      • AxisWeb : Making, Correspondence, Spatial Practice...
      • The Permeable Threshold as~ Anarchive~Interval~Int...
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