Material absorbed in its own thoughts :
Wednesday, 24 July 2024
Joseph Cornell : a fusion of the timeless and the everyday
Collage's integral methods of discordance and displacement have so insistently reflected turbulent developments in twentieth century art, science and geopolitics that our response might be to categorise the whole genre as iconoclasm or subversive fantasy.
Sally O'Reilly
Thursday, 14 October 2021
ANTHROPOLOGY/LANDSCAPE : Urban Materiality/Movement and Relationscapes
RELATIONSCAPES
Movement, Art, Philosophy
Erin Manning
Prelude : What moves as a body returns as a movement of thought
Something in the world forces us to think. This something is not an object of recognition, but a fundamental encounter.
Gilles Deleuze, Difference and Repetition
AN
ANTHROPOLOGY
OF
LANDSCAPE
Christoper Tilley, Kate Cameron-Daum
Materiality
From our perspective in this book representations of landscape, textual or pictorial, are of secondary significance and we should treat them as such; they are selective and partial, and often highly ideological, ways of seeing and knowing.
It forms a material medium in which we dwell and move and think.
Redirecting the study of landscape from representation to the materially grounded messiness of everyday life and the minutiae of material practices that constitute it.
Landscapes are contested, untidy and messy, tensioned, always in the making. Our landscapes of modernity are frequently on the move and peopled by diasporas and migrants of identity, people making homes in new places.
Field Observations
Spatial relations within the landscape are complex.
The manner in which persons and their bodies cannot be understood apart from the landscapes of which they are a part, reciprocally involved in forms of movement, action, awareness and social memory.
Embodied Identities
Art in and from the landscape
Fragile Environments : Nature and Culture
On Ways of Walking and Making Art
A personal reflection
M Collier
Making art is a practical application of phenomenology
Engaging with an embodied experience of space and depth (what Merleau-Ponty called the 'flesh of the world').
WATERLOG
Journeys Around An Exhibition
Landscape and Memory
AFTER SEBALD
Essays and Illuminations
Edited by Jon Cook


Tuesday, 27 July 2021
Sketch Books/Strange Loops : Drawings, Materials, Annotations, Collages and Constructions 2018-20
OUTPOST STUDIO 3.16
Agency through sketchbooks
Apokatastasis : Jim Jarmusch, Jozef Van Wissem
Spatial Asperity/Mesh, Membrane and Gauze
Drawing and its attempts to map out/make visible contingent things
Contingency, is what remains, as it comes up against causality/constantly passing through
Objects/Things conceptualized by the exploration of drawing (intervals of blindness)
Linking Surface to the Aesthetic Experience of Space.
Experiences incorporating interests with environmental textures into Art.
Points of Contact/Confluence of Circumstances
Materials bound by contact/canvas
Patina, absences, gesso, textile wrappings, field chalk, exhumed oyster shells, yellow ochre,
A philosophy of Reading
Solitude/Libraries : Cell/Court/Domain
Clay, Waxed Surface, Liquid Rust, Calico,
Sensate Bandages/Windings/Armatures : Corporeal Landscapes/Assemblages/Things
Social Architectures/Anthropologies/Imaginary Projects
Timothy Morton : Realist Magic
The elasticity of sensation, affective and wonderous
Sally Mann : Matter Lent/Collodion wetplate negatives
Corpus, liquid light, flesh, spirit, trace, outline, human body, performative,















































