Showing posts with label speculative. Show all posts
Showing posts with label speculative. Show all posts

Thursday, 2 May 2024

Melancholy Landscapes : The Plague/Vermilion Sands


Film Collages, hybrid processes and temporal states
Liminality : Literature/Philosophy/Visual Art

Landscapes : entering/intruding/emerging (holga819)
Existential Gestures : Looking away from the sea
Ballard : Vermilion Sands  :  Speculative Fields/Spatial Practices

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times


06/04/2020 

Thursday, 14 September 2023

From The Bookcase to The Field Table : Landing Sites of Inquiry

Tentative Building Profiles : Speculative landing sites of surface, image and texts.

Procedural Architecture


Start by thinking of architecture as a tentative constructing toward a holding in place. Architecture's holding in place occurs within and as part of a prevailing atmospheric condition that others routinely call biosphere but which we, feeling the need to stress its dynamic nature, have renamed bioscleave.

Architectural Body

Madeline Gins and Arakawa


Working Notes/Holding in Place





Wayfinding/Movements through accumulated research

Running scripts, enactments, instances, involvements

Collaborative texts, complexity, emergent, discursive 

From The Bookcase to The Field Table : Landing Sites of Inquiry


Camouflage

Neil Leach

For Benjamin, the twentieth century is an age of alienation. Human beings are no longer 'cocooned' within their dwelling spaces. Architectural spaces are no longer reflections of the human spirit. Something has been lost.

Mimesis, 19.


New Concepts of Architecture

Existence, Space and Architecture

Christian Norberg-Schulz

A child 'concretizes' its existential space.


A Philosophy of Emptiness

Gay Watson

Artistic Emptiness

Everything flows, nothing remains.

Heraclitus


Rethinking Architecture

Neil Leach

Figure 1, Sketch by Jacques Derrida for Choral Work project. 343

Foucault, Figure 2 Bentham's Panopticon (1791). 360

Page laid in, The Atrocity Exhibition by J. G. Ballard, new revised edition,annotations, commentary, illustrations and photos.


Tracing Eisaenman

Plenum, juxtaposed to form/haptic values/body absences

Robert Mangold

Between moments of 'meaning' lie spaces or blanks of immediate experience. Such blanks are actuality. Usually the blank, the actuality, goes unnoticed because it works so efficiently to differentiate one meaningful event from another. Kubler discussed this in The Shape of Time.


Interactions of the Abstract Body

Josiah McElheny

Object Lesson/Heuristic Device

The term 'heuristic' is understood here to denote a method of addressing and solving problems that draws not on logic but on experience, learning and testing. In this regard stories and fictional narratives can be heuristic devices in acting as ideal models that are not to be emulated but which help to situate characters, actions and objects.


Space Between People

Degrees of virtualization

Mario Gerosa


Adaptive Architectural Design

Device-Apparatus

Place

Function

Adaptation

The second phase of project activity acknowledges that the proposal involves two sites; the landscape of settlement and the artifice of the factory. The design is intended to be a reflection of the conditions of each, so there was a need to work directly with the manufacturing process, at full scale, as early as possible. This would provide an immediate counterpoint to the earlier representations and a necessary part of exploring the manufacturing medium in the context of architectural design. 69


Building The Drawing

The Illegal Architect

Immaterial Architecture

Mark Cousins suggests that the discipline of architecture is weak because it involves not just objects but relations between subjects and objects. And if the discipline of architecture is weak, then so, too, is the practice of architects. Architecture must be immaterial and spatially porous, as well as solid and stable where necessary, and so should be the practice of architects.

Jonathan Hill

Index of immaterial architectures


Herzog and De Meuron

Natural History

Exhibiting Herzog and De Meuron

We are not out to fill the exhibition space in the usual manner and to adorn it with records of our architectonic work. Exhibitions of that kind just bore us, since their didactic value would be conveying false information regarding our architecture. People imagine that they can follow the process, from the sketch to the final, photographed work, but in reality nothing has really been understood, all that has happened is that records of an architectural reality have been added together.


My studio is a piece of architecture that is silent. The things of which it is made say all and at the same time nothing. Its strength lies in its demanding silence. A stern silence in order to permit works to occur. I imagine that a painting by Newman could be hung there.


The arrival of Beuys in a world that was gradually falling asleep amidst minimalism generated a kind of confusion that was truly excellent for opening up the mind. Comfort vanished, driven away by subversive complexity.


Speculative architecture

On the aesthetics of Herzog and De Meuron


Without opposition nothing is revealed,

no image appears in a clear mirror

if one side is not darkened

Jacob Bohme, De tribus principii (1619)


Reflections on a photographic medium

Memorial to the Unknown Photographer

Thomas Ruff's Newspaper Photos

Valeria Liebermann


Working Collages

Karl Blossfeldt


Anti Object

We are composed of matter and live in the midst of matter. Our objective should not be to renounce matter, but to search for a form of matter other than objects. What that form is called architecture, gardens, technology is not important. 

Kengo Kuma



Tuesday, 8 August 2023

The Shape Of LIGHT : DISCURSIVE CONTENTS

Writing and Seeing Architecture/Performativity/Intertextuality
Originally Published10/02/2019.

RELATIONSCAPES
Movement, Art, Philosophy
Technologies of Lived Abstraction
Erin Manning

Playing with INTERTEXTUALITY
Setting the Stage MAKE SPACE


STUDIES FOR SPACE

Urban Fallow, 10 Days in The Laundry, Winchester UK. 2009.
Sculptural interventions by Nicola Saunderson

RESPONSIVE ENVIRONMENTS
ARCHITECTURE
ART AND DESIGN


THE SHAPE OF LIGHT
WRITING AND SEEING ARCHITECTURE
DRAWING,Line, Shape, Volume, Light Values



Time as a Structure and an Event

Transparency, Time and Matter.

Sculptural Space
Sculpting in Time
Filmic/Photographic Narratives/Poetics of Place


Francesca Woodman
Tarkovsky
Christian de Portzamparc
Philippe Sollers
Scott Doorley
Scott Witthoft
Natalie D'Arbetoff
Lucy Bullivant















Friday, 25 February 2022

Speculative Drawings/Paintings/Projects : Choreography of Light /Becoming Spatial/Figural

Immateriality and Transparency

DSC_2038 Biomedical : Architectural Glass Design
2014 Stevens Competition
Cambridge University Hospitals
Biomedical Campus

Photography and Drawing
Marks and movements of precision and indeterminacy

Outpost 240222



Procession

Choreography of light for the moving eye.

Henry Plummer, 2009.



The Interplay of Light and Movement.

The visual attraction that can electrify space with strong perceptual and emotional forces.



Simulacrum, E.ON Munich, Andreas Horlitz, 2006.








'Art in construction' is a wall installation that describes a superimposition of different systems for interpreting the world. Astronomical motifs are superimposed on micro array structures, while lines of force from the world of electricity and imaged quotations from that of quantum physics are, in turn, superimposed on the astronomical images.



Andreas Horlitz no longer saw photographic images as images intended to reflect reality, but rather as raw material to be worked, a source of artistic creativity. Photography simply supplies the material that the artist then reorders and combines in order to establish another unexpected sensual context and thus provide insight into what we perceive as reality. For Horlitz the idea of the image detail, its meaning as part of a larger reality, and the idea of superimposition have been present in the artist's work from the very beginning.



Horlitz's pictures raise the question of whether photography is even capable of reproducing the complex structures of reality.

Barbel Tannert.





Primal Images, Gaston Bachelard's loss and then recovery of light in darkness.



Due to its power to seduce and attract, light has always played a pivotal role in successions of space  that are rewarding and memorable.



Immateriality and Transparency.

Technique and Expression in Glass Architecture.

Pallasmaa, 2003.





Anglian Potters

Undercroft, Norwich.

Ferini Gallery, Lowestoft. 



Gas Reduction Firing.

Architectural Ceramics.

Re-Installation of 20 cubic foot kiln surrounded by building materials.



 

Forming Inside Spaces

Propositions on Architectural Objects/Spaces : Hand-built slab ceramics.



Raw clay slips/oxides/glazes, paper stencils and other intermediary materials.

Post reduction, wood chippings, wire inclusions and wrappings/layerings.





Studio Thinking/Sensory and Sensate : The body in contact with its mattering.

Collage explorations between the division of things.



Immaterial and concrete materials in contact with the corporeal human/social body.

Peter Zumthor, Therme Vals, 1996.



Beyond the symbolic depictions of diagram/map or chart and their mappings/relationships.



Further Study : Working Title



Transitions : Intervals in visual thinking.



Passive/Kinetic Fields : Spatial surfaces of agency between Fine Art, Performance and Architecture.

Capacitance as a working condition/spatial agency of a diffractive art based inquiry/practice.



Definition/Physical Phenomena/Concepts used to attach feelings to things.



Displacements/Situatedness/Patterning/Redundancy.











Capacitance and its relationships, movements between space, surface, volume and subjectivity.



Bitumen Paintings/Pierced Membranes : Encapsulated Layering/Textile

Social noise cancelling art works derived from sound deadening pads.



Baffles/Filters : Spatial Intermediaries.



Richard Serra : Paint Stick Drawings.



Reading Matter and Rooms

The Lake of The Mind/Stochastic Thinking : Steven Holl.








Monday, 16 August 2021

Spore/Disc/Environment : Cyanotype/Drawing/Collage

Brought To Light
Photography And The Invisible
1840-1900

SHADOW CATCHERS
Camera less Photography

Techniques of the Observer
On Vision And Modernity In The Nineteenth Century
Jonathan Crary

EXPERIMENTAL
PHOTOGRAPHY
A Handbook of Techniques
Luca Bendandi

Another Photography
Jan Dibbets














https://www.flickr.com/photos/russellmoreton/31175745933




Monday, 7 June 2021

Other ways, other than buildings of making : Reading Rooms/Performative Collages and Models

Spatial Agency : Other ways of thinking about social space and its architectural structuring.

Other ways, other than buildings of making a spatial difference.

Collage and Architecture. Jennifer A. E. Shields
Collage Methodologies in Architectural Analysis + Design
Architecture as Collage





Social Space, is dynamic space, things happen, and its production continues over time and hence it is not fixed to/by a single moment of completion.  

Performative Collages : Dualities of agency and structure, linked but separately identifiable conditions or proposals.

Agents are neither completely free as individuals, nor are they completely entrapped by structure. They are negotiators of existing conditions in order to partially reform them. 

Spaces are charged with the dynamics of power, empowerment, interaction, isolation, control, freedom, alienation.

Social space is intractably political space, in so much as people live out their lives in this space.



















Sunday, 5 March 2017

A Sense of Looking : A Vicarious Topography

Drawings : Speculative Constructions in Photography

fig478 Photographic Forms/Intervals
Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

Possible Worlds
 The Sensual Reciprocity of This Enchanted Isle

fig604 Light is doing things

Autonomous Project/Creative Anarchism
Psychogeography : The Skies over East Anglia (35mm film)

Corporal Trace/Movement
A Sense of Looking : A Vicarious Topography