Spatial Agencements~A Research Ecology of Making

A provisional research ecology: material absorbed in its own thoughts. A gathering place for things being made, read, sensed and thought. Images, texts, bodies, spaces and matter(s) move through correspondence, forming tentative rooms of inquiry. Research circulates between depth and surfacing, archive and anarchive, allowing propositions to return, migrate and become otherwise.

Showing posts with label musical score. Show all posts
Showing posts with label musical score. Show all posts

Tuesday, 22 February 2022

Hybrid Musical Sources : Astronomical Mappings/Spatial Propositions and Intervals

Amorphous Photography : Star Trails


Side C
10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL




















Posted by Russell Moreton at Tuesday, February 22, 2022 No comments:
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Labels: #alternative photography, #russell moreton, #spatial practice, abstract, astronomical, Jofef Van Wissem, Mappings, musical score, only lovers left alive, spatial forms, SQURL, star trails
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Assemblages for Inquiry/Reading (Circus, Sea, Ruin)

  • The Moving Figure : Sociological/Corporeal/Subjective
  • Making
  • Experimental Photography

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Russell Moreton
Harleston, Norfolk, United Kingdom
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      • Persistent Bodies ~ Correspondence Kept~in~Play
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      • Withdrawn Ceramic Bodies : The ceramic withdraws f...
      • Attentiveness as a Sensate~Heuristic Inquiry : A S...
      • Hortus Conclusus~The Troubled Hospitality of Inter...
      • Permeable Chambers ~ Modular Outliers ~ Withdrawn ...
      • Corporeal Traces ~ Ceramic Interiority ~ Things Doing
      • Wayfaring Attentiveness ~ Circulating Impressions ...
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      • The Permeable Threshold as~ Anarchive~Interval~Int...
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