Everyday Enchantments : Playing with Constructed Situations

Research Collage, Reading Rooms/Waverley Abbey

Cyanotype, blueprint  with notes/formulae/string on paper

Reading Rooms : Waverley Project

The Ruin/Paper Cups

Lead,photographic ( pinhole) and inkjet visual material from flickr stream, fixing tapes, cyanotype on tracing paper,pierced and re-positioned elements on paper.

Drawing on the snow, a field in Hampshire.
Enchantments between materials, snow and paper.

MAPPING : Ritual, fire and stone : Human Filament
Astronomical data with outline of human form,candles,string and stones on paper.150cm x 240cm

Working Practices
Drawing.
Installation and Working Sites
Architectural Glass and Ceramics
Liquid Light and Pinhole Photography

Dark Renderings : Pages from Artist's Books

Photographic Process/Thinking
Drawings : Speculative Constructions in Photography

Deleuze claimed that he did not write “about” art, literature, or cinema, but, rather, undertook philosophical “encounters” that led him to new concepts.  As a constructivist, he was adamant that philosophers are creators, and that each reading of philosophy, or each philosophical encounter, ought to inspire new concepts. Additionally, according to Deleuze and his concepts of difference, there is no identity, and in repetition, nothing is ever the same.  Rather, there is only difference: copies are something new, everything is constantly changing, and reality is a becoming, not a being.

http://www.iep.utm.edu/deleuze/

Layered Landscape

"Thus we cover the universe with drawings we have lived. These need only to be tonalized on the mode of our inner space."

 

Gaston Bachelard.

The Poetics of Space.

Hybrid Musical Sources : Astronomical Mappings/Spatial Propositions and Intervals

Amorphous Photography : Star Trails


Side C
10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL

The Momentum of Things, becomes self sustaining

TWILIGHT : Photography in the Magic Hour.
Martin Barnes, Kate Best.

One needs infinitely distant sentences that one barely understands, as a mainstay over the millennia.
The Human Province, Elias Canetti.

The Momentum of Things, becomes self sustaining.
Untitled 1983/84, Bill Henson.

Collage, photocopies, mesh, text, non spaces.

Drawing, tissue paper, tape, body outline with astronomical data on paper.

Andover Installation : October at the Chapel.

Working Spaces : Force Fields, sign and trace

Contents List from a folder in the Theatre of Research

 Unlike a Library the Theatre of Research is a working space that creates and crafts both theoretical and practical objects, things and documentation. Its reason for being is to explore the praxis for creative narratives between the Arts and The Humanities.

Chora Body and Building

Space as Membrane

Chora (Exhibition) 1999

Lessons of a dream. Karsten Harries

Concrete Blonde: Joanna Merwood

A probe into the negative spaces where mysteries are created.

Surrealist Paris : Dagmar Motycka Watson

The non-perspectival space of the lived city

Body and Building : George Dodds

Essays on the changing relation of body and architecture.

Sphere and Cross : Karsten Harries

Vitruvian refections on the Pantheon Type

Body and Building : Marcia f. Feuerstein

Inside the Bauhaus’s Darker Side

Desiring Landscapes/Landscapes of Desire. George Dodds

A Tradition of Architectural Figures: Marco Frascari

Interwining Metamorphoses : Germano Celant

On the work of Guiseppe Penone

Space as a Membrane : Siegried Ebeling

Sensorium : Embodied Experience, Technology, and Contemporary Art.

https://citythroughthebody.files.wordpress.com/2013/08/sensorium.pdf

DSC_1928a Charting Evidence : Shallows and Depths of Visual Consciousness

DSC_1928aCha rting Evidence : Shallows and Depths of Visual Consciousness, a photo by Russell Moreton on Flickr.

Cognitive/Imaginative Mappings within The Drowned World, JG Ballard.

The Architecture of Emergence: The Evolution of Form in Nature and Civilisation
Michael Weinstock