Showing posts with label abstract. Show all posts
Showing posts with label abstract. Show all posts

Saturday, 24 February 2024

Psychogeography : Narratives across a site plan (Waverley Abbey)




In The Process of Translation






https://uk.pinterest.com/russellmoreton/art-and-process/


Waverley : Psychogeography




 

Waverley Abbey was the first Cistercian abbey in England, founded in 1128 by William Giffard, Bishop of Winchester. It is situated about one mile south of Farnham, Surrey, in a bend of the River Wey.

 

History

During the first century of its existence, it founded six monasteries, and despite the members thus sent away, it had 70 monks and 120 lay brothers in 1187. It kept about thirty ploughs. The site was subject to regular flooding, however, and in 1203 the foundations for a new church and monastery were laid on higher ground. The new church was dedicated in 1231. King John visited Waverley in 1209, and Henry III in 1225. The abbey also produced the famous annals of Waverley, an important source for the period. By the end of the thirteenth century the abbey was becoming less important. By the time it was suppressed by Henry VIII in 1536 as part of the dissolution of the monasteries there were only thirteen monks in the community and the abbey had an annual net income of £174. Stones from the abbey when it lay in ruins were taken to build nearby houses, including the house at Loseley Park. The ruins of Waverley Abbey are managed today by English Heritage. The sign at the entrance to the ruins states that it was the inspiration for Sir Walter Scott's novel Waverley . However, this is probably not the case. Sir Walter Scott chose to adopt the name for his fictional hero Edward Waverley, the heir to an estate in southern England who travels north and becomes embroiled in the Jacobite uprising of 1745. Waverley Abbey was however featured in Arthur Conan Doyle's classical romance, Sir Nigel. It was the scene of his winning of his war horse, Pommers, and his youthful embarrassment of the avaricious abbey authorities.

Posted by Russell Moreton at Thursday, February 11, 2016 

Thursday, 22 June 2023

Pictorial Matter : Cyanotype Process and Conceptual Affinities


Surronding Objects
Material Supports
Perceptions from absence
Silence as an audible presence
Traces from the phenomenology of time
Vibrant Matter

P3228227a : Engineering Blueprint on Watercolour Paper.
Slumped glass panel " evolved " from a head gasket (Hillman Imp) and a note recording failing compression readings.

Drawing and Assemblage : Cyanotype process on watercolour paper with lead profiles.

Terrestrial Movements  : #2  Solar Spore.

Space For Peace : Winchester Cathedral.















Monday, 1 May 2023

Littoral Zones

Littoral Zones by Russell Moreton
Littoral Zones, a photo by Russell Moreton on Flickr.

Landscapes of the Metropolis of Death, Otto Dov Kulka

"Elegiac, poetic and extraordinarily important, these deeply moving recollections vividly convey the horror of the death-camp. One of the most remarkable testimonies to inhumanity that I know"

Ian Kershaw

www.penguin.co.uk/nf/Book/BookDisplay/0,,9781846146831,00...

Monday, 30 May 2022

Speculative Images : Weathering between art and architecture #2

 Art as a Spatial Practice.

Space folds : Containing "Spatialities around historicality and sociality"


"All that is solid melts into air"


Karl Marx, Friedrich Engels,

(Poetic observation concerning the constant revolutionizing of social conditions)


Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013
















Wednesday, 13 June 2012

Link Gallery Winchester 2009

Chalk figure,human body with local materials.

Artist Statement, re proposal for “Strong Voices”. Hyde 900 2010

It is my intension to utilise the ambiguous and strangely intimate nature of a continuous line around a human being to act as a site for the viewer to inhabit an engagement with the work. I am interested in utilizing the “open space” the territory within the traced outline as a sort of vessel for the temporary thoughts and reflections of others. This space hopes to set up a condition, a place that allows a dispassionate observer or thinker time to find and form their own thoughts. The use of material residues left from enactments seems to concur a metaphysical presence to that of the inner trace. The use of simple materiality (clay, chalk, rust) invokes a notion of a shared simple relation, to the human form; these sensibilities are reflected in artists like Giuseppe Penone and other Arte Povera artists. The use of light sensitive materials, liquid light and cyanotype brings the representation of worlds into proximity of a human absence. Photographic processes also bring with them a surface of compressed and superimposed time, an event through which time has left behind, like the trace we are left thinking and reflecting a loss that creates equilibrium in the present. To add a presence of temporality and nowness, water vapour has been sprayed onto the chalk creating moisture a breath around absences.

Russell Moreton

Tuesday, 22 May 2012

Architectural Abstracts : Glass and Light.

http://www.flickr.com/photos/russellmoreton/sets/72157629844185310/">Architectural Abstracts : Glass and Light., a set on Flickr.

Reclaimed images from inside a camera obscura ( Kilquhanity 2011) via the cyanotype process.

Monday, 23 April 2012

Drawing board with collage and plumb line.

plumb line - definition of plumb line by the Free Online Dictionary ...
www.thefreedictionary.com/plumb+line A line from which a weight is suspended to determine verticality or depth. 2. A line regarded as directed exactly toward the earth's center of gravity.