Showing posts with label post studio. Show all posts
Showing posts with label post studio. Show all posts

Sunday, 26 October 2025

Site~Emergent~Ecologies~Landscapes : Drawing translations within/between the photographic document.

Site~Making~Fieldworks.

Borderlands.

Alternative Photography.

Enchantments and Crossings : Somatic Effects~Enchantments





Topologies, mappings and their correspondences (thinking~feeling) between here, there, and elsewhere.

Playing with 'phronesis' a poetics of a spatial encounter and its enclosure forming an immediate immersive environment.

Developing inquiry through a process of familiarization and not-knowing, being undone by theory where things emerge, are accumulated, and are nurtured into being through relations (Continuous~weather-world sites) with human bodies and spatial bodies.  

Archiving materials, sites and events, resulting in an incidental aesthetic gathering.









Outpost Studio 030222

Immersed in Matter(s) of an Emergent and Continuous Weather World.

Covehithe : Walking/Thinking/Physical Entanglements in the Landscape.

Walking into Emergent Landscapes : Covehithe Beach.


The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane

Walking was a means of personal myth-making, but it also shaped his everyday longings:

Edward Thomas not only thought on paths and of them, but also with them.

To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.


Deeper Darkness, Photographic Memory/Process, Metonymy, Negative,

Analogue, Negated Nocturne. Walking, Others, Presence, Becoming,







Wednesday, 18 January 2023

Post Studio Practices : Mattering in Situated Places.

 Studio Apparatus/Scriptorium

Matter in Space : Passages in Sculpture.

The Sensing Of Spatial Agency.


Working Notes 2018/19

Curatorial Architectures/Assemblages

Speculative Spatial/Curatorial; Practices in Fine Art and Architectures


The Studio is no longer a retreat but it now integrates.

It is all exterior.

Ways of Curating, Hans Ulrich Obrist


Constructing active research material that becomes transactive through interventions and installations of display.


Blurring art and the everyday rituals of creative enterprise and survival.


Seeking to create innovative and immersive exhibition formats/situations that seek to engage a discursive and informed audience.


Building Relationscapes

Movement, Art, Philosophy 


Sensorium

Embodied Experience

Technologies and Contemporary Art 


Erin Manning

Caroline A, Jones


Playing with INTERTEXTUALITY

Setting the Stage MAKE SPACE



Immersive

Alienated

Interrogative

Residue

Resistant

Adaptive



Interactive Workshop

Exhibition

Presentation

Open Texts


RESPONSIVE ENVIRONMENTS

ARCHITECTURE, ART and Design Interiors


URBAN FALLOW (10 Days in the Laundry)

THE CURSE OF THE CONTEMPORARY



OPERATIVE DESIGN

CONDITIONAL DESIGN



ON MAKING SPACE

THE FEELING OF WHAT HAPPENS

BODY, EMOTION and the Making of Consciousness


Art Practices : the chaos of subjectivity and the organization of self

DRAWING, line, shape, volume, light.







Studio Bookcases : Sociological Registers

Installation/Intervention of six research bookcase as diffractive elements in the studio space.