A simple tented shelter of canvas is secure under the cathedral like canopy of this gridshell construction.
Gridshell at the Weald and Downland Open Air Museum, Singleton, West Sussex.
Tuesday, 15 May 2012
Hosted Spaces : A Working Cathedral of Light and Space.
Monday, 14 May 2012
Registering overlapping spaces #2
Public intimacies, personal dialogues in social spaces.
"Blocking in" of a private studio space of creative inquiry into the public realm as a permeable intervention.
Main reception area,UCA Canterbury 2010.
Russell Moreton, Spatial Practices.
Sunday, 13 May 2012
Artists studio exhibition 2007.Trace and indexical drawings withartists books.
Artists studio exhibition 2007.Trace and indexical drawings with artists books., a photo by Russell Moreton on Flickr.
Drawings executed using field chalk and rust residues from obsolete iron car parts. Human form traced and referenced directly from life with a continuous drawn line. Working methods reflect an inquiry into the origins of painting through the myth, The Daughter of Butades.
Saturday, 12 May 2012
Amongst lightness and the reverberation of material.
A
Short
History
of
Myth:
Karen Armstrong.
" The history of myth is the history of humanity; our stories and beliefs, our curiosity and attempts to understand the world, link us to our ancestors and each other."
Process,inquiry and form in the studio #6
Drawing frame as used in archaeological practices as an aid to reference found objects. Abstract painting with thread, lead weight and pierced forms. Collage including text "non spaces, Marc Auge" image (on the roof of the Bargate, Southampton) of on-site drawing event. Photograph taken whilst in a studio space occupied for the purposes of ceramic experimentation and manufacture.
Transparency,time and matter #3
Architectural transparency applied to internal glass panel, temporary intervention as part of "10 Days in the City 2011" a public arts event.
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