Outpost 021222
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https://www.flickr.com/photos/russellmoreton/
Lo-Fi
Alternative Construction.
Contemporary Natural Building Methods.
Lynne Elizabeth, Cassandra Adams.
Earthbag.
Experimental earthbag structures at Cal-Earth.
Nader Khalili.
The beauty of the earthbag technology lies not just in its low cost, but in its freedom of form.
The use of soil-filled sacks (earthbags) for construction has received growing interest as a natural alternative building technique. Earthbags are textile or plastic casings packed with soil, and sometimes sand or gravel, used to construct foundations, walls, and domes. The technique is essentially a flexible form variation of rammed earth construction.
Earthbag construction is one of the most inexpensive building methods on the planet. It uses locally available site soil and common sacks. The technique requires few skills, is significantly faster than earth building methods such as adobe or cob, and unlike equipement-intensive modern rammed earth, requires few tools other than a shovel.
Working Cyanotypes/Vectors/Clusters of Movements.
Spatial Verbs/Durations.
Drawing on a light mediated surface.
Abstracted notations on the verge of visibility.
Traces on the canvas.
The Inclusion of Absences.
Mapping surfaces, from transparency to occlusion.
Abstract Circulation Diagrams.
Diffractive Intermediaries in Architecture.
Alternative Photographic Processes.
Subjectivity in forsaken spaces.
Resistivity/Photographic Decay : Inclusions in the order of time.
Theory, Placemaking, Trigg
Francesca Woodman, Deborah Turbeville.
Photographic Collages.
Place Studies.
Locating practice/inquiry.
In the darkroom with the flesh of the film.
Building on the impossibility of the specific.
Everyday correlations, living with making place.
The recording apparatuses spatial practice.
Learning with phenomena, presentia the light in its moment.
Spatial cyanotype drawings and exposures.
Daylight weather observed and recorded.
Red Gas Kiln, external dimensions, 1.2m x 1.2m x 1.0m, plus stand 0.5m.
Joseph Beuys, clay accumulator and table, Tate Modern.
Joseph Albers.
Karen Barad.
Intra-Activity, Performativity, Bodies.
Colour Intermediaries, induce spatial relations between objects and processes, they create, set in motion diffractive phenomena.
The Mind's Eye.
Bridget Riley.
SPAB, Working Parties.
What Remains.
To preserve something from the continuum of time.
Materials bounded by contact and context.
Plastic Architecture/Lime and Flintwork.
Linking built surfaces to the aesthetic experience of place.
Asperity, in materials science, is defined as unevenness of surface, roughness, ruggedness, that can create frictional interactions between the relationships of materials.
Site is a temporal undoing of place.
Architecture taken back into the domain of building.
Scaffolds for learning, access, practices and preservation.
On Reading.
Cell-Court-Domain.
Apokatustasis.
Jim Jarmusch
Jozef Van Wissem
John Cowper Powys.
A Philosophy Of Solitude.
Reading Powys one finds no belief, no system of dogmas or doctrines, just an insight gathered from experience.
He is a walking philosopher, who develops his thoughts on the character of solitude, the walker formulates his words out of an inner heuristic development. A preparation in order to be able to relate to other people.
A Field Guide to Getting Lost.
Rebecca Solnit.
The wonderlust of learning for profound and complex inquiry.
The creative, hopeful philosophy of emotions that colour, illuminate our worlds.
