Art and Anthropological Concerns : Spatial Agencements : Processual Circulations.

Material absorbed in its own thoughts :

Showing posts with label Jurassic coastline. Show all posts
Showing posts with label Jurassic coastline. Show all posts

Tuesday, 26 June 2012

Surface of processes, an underpinned figure and ground.

Surface of processes, an underpinned figure and ground. by Russell Moreton
Surface of processes, an underpinned figure and ground., a photo by Russell Moreton on Flickr.

A once performative outline that now gathers up the human form for "reflection" with raw materials gathered from a Jurassic coastline.

Posted by Russell Moreton at Tuesday, June 26, 2012 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: beach, chalk, drawing, fossilised, human form, Jurassic coastline, material, seascape

Sunday, 13 May 2012

Outline, human trace with raw materials gathered from a Jurassic coastline. .

Outline, human trace with raw materials gathered from a Jurassic coastline. . by Russell Moreton
Outline, human trace with raw materials gathered from a Jurassic coastline. ., a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Sunday, May 13, 2012 No comments:
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest
Labels: drawing, human form, Jurassic coastline, life drawing, material, outline, painting, russell moreton, surface detail
Older Posts Home
Subscribe to: Posts (Atom)

Pages

Blog Archive

  • ▼  2026 (117)
    • ▼  July (21)
      • Confessional Spaces~Spatial-Situationist Apparatu...
      • Inside The Visible : Ceramic Environments of Analo...
      • Site~Emergent~Ecologies~Landscapes : Drawing trans...
      • Stranger Things : A humble, passive, somewhat absu...
      • Brian Clarke : Properties of Matter and Imaginatio...
      • Outpost Studio~Theoretical Spaces : Undone~Overflo...
      • Inside The Horizon : Terminus/Fields/Landscapes of...
      • Correspondences~Relational Fields : Other Affordan...
      • CLAY/Propositions/Correspondences : Letting the ma...
      • The Ceaseless Flux of Disappearances/The Examinati...
      • Architecture, Nature and Subjectivity : Atmospheri...
      • The Black Workbooks : Forces of juxtaposed areas.
      • Diffused Ecologies : A reflective building is an e...
      • Overspilling Forms : Unnoticed Displacements/Tensi...
      • Makings~Silent transformations~translations from t...
      • I Belong to the Sky : Dreams leave their nest, Pet...
      • An asperity of thoughts/Vibrant Matter : Braking D...
      • Wayfaring Notes: Material Flows Between Form and E...
      • Towards~Making a holding in place : Tentative Arch...
      • Ceramics and Architecture : Architecting and its e...
      • Spatial Ecologies~Living Chambers. Jozef van Wisse...
    • ►  June (35)
    • ►  May (15)
    • ►  April (15)
    • ►  March (12)
    • ►  February (11)
    • ►  January (8)
  • ►  2025 (83)
    • ►  December (2)
    • ►  November (9)
    • ►  October (5)
    • ►  September (5)
    • ►  August (4)
    • ►  July (12)
    • ►  June (12)
    • ►  May (13)
    • ►  April (9)
    • ►  March (8)
    • ►  February (3)
    • ►  January (1)
  • ►  2024 (97)
    • ►  December (3)
    • ►  November (5)
    • ►  October (5)
    • ►  September (7)
    • ►  August (8)
    • ►  July (6)
    • ►  June (15)
    • ►  May (12)
    • ►  April (16)
    • ►  March (10)
    • ►  February (7)
    • ►  January (3)
  • ►  2023 (159)
    • ►  December (6)
    • ►  November (5)
    • ►  October (4)
    • ►  September (6)
    • ►  August (17)
    • ►  July (20)
    • ►  June (29)
    • ►  May (20)
    • ►  April (14)
    • ►  March (20)
    • ►  February (15)
    • ►  January (3)
  • ►  2022 (139)
    • ►  December (3)
    • ►  November (5)
    • ►  October (10)
    • ►  September (3)
    • ►  August (2)
    • ►  July (8)
    • ►  June (15)
    • ►  May (21)
    • ►  April (8)
    • ►  March (19)
    • ►  February (27)
    • ►  January (18)
  • ►  2021 (147)
    • ►  December (14)
    • ►  November (24)
    • ►  October (20)
    • ►  September (20)
    • ►  August (20)
    • ►  July (18)
    • ►  June (11)
    • ►  May (10)
    • ►  April (3)
    • ►  March (2)
    • ►  February (5)
  • ►  2020 (4)
    • ►  November (2)
    • ►  April (2)
  • ►  2019 (8)
    • ►  July (1)
    • ►  May (1)
    • ►  April (1)
    • ►  February (3)
    • ►  January (2)
  • ►  2018 (12)
    • ►  December (2)
    • ►  June (1)
    • ►  May (4)
    • ►  February (1)
    • ►  January (4)
  • ►  2017 (77)
    • ►  December (1)
    • ►  November (1)
    • ►  October (3)
    • ►  September (2)
    • ►  July (8)
    • ►  June (11)
    • ►  May (8)
    • ►  April (9)
    • ►  March (17)
    • ►  February (8)
    • ►  January (9)
  • ►  2016 (96)
    • ►  December (1)
    • ►  October (3)
    • ►  September (6)
    • ►  July (7)
    • ►  June (4)
    • ►  May (2)
    • ►  April (11)
    • ►  March (1)
    • ►  February (19)
    • ►  January (42)
  • ►  2015 (2)
    • ►  October (2)
  • ►  2014 (92)
    • ►  July (2)
    • ►  June (2)
    • ►  March (9)
    • ►  February (37)
    • ►  January (42)
  • ►  2013 (857)
    • ►  December (29)
    • ►  November (46)
    • ►  October (63)
    • ►  September (57)
    • ►  August (56)
    • ►  July (84)
    • ►  June (87)
    • ►  May (137)
    • ►  April (90)
    • ►  March (99)
    • ►  February (54)
    • ►  January (55)
  • ►  2012 (515)
    • ►  December (42)
    • ►  November (73)
    • ►  October (81)
    • ►  September (68)
    • ►  August (44)
    • ►  July (41)
    • ►  June (42)
    • ►  May (35)
    • ►  April (28)
    • ►  March (22)
    • ►  February (39)

Search This Blog

Assemblages for Inquiry/Reading (Circus, Sea, Ruin)

  • The Moving Figure : Sociological/Corporeal/Subjective
  • Making
  • Experimental Photography

About Me

My photo
Russell Moreton
Harleston, Norfolk, United Kingdom
View my complete profile

Blog Archive

  • ▼  2026 (117)
    • ▼  July (21)
      • Confessional Spaces~Spatial-Situationist Apparatu...
      • Inside The Visible : Ceramic Environments of Analo...
      • Site~Emergent~Ecologies~Landscapes : Drawing trans...
      • Stranger Things : A humble, passive, somewhat absu...
      • Brian Clarke : Properties of Matter and Imaginatio...
      • Outpost Studio~Theoretical Spaces : Undone~Overflo...
      • Inside The Horizon : Terminus/Fields/Landscapes of...
      • Correspondences~Relational Fields : Other Affordan...
      • CLAY/Propositions/Correspondences : Letting the ma...
      • The Ceaseless Flux of Disappearances/The Examinati...
      • Architecture, Nature and Subjectivity : Atmospheri...
      • The Black Workbooks : Forces of juxtaposed areas.
      • Diffused Ecologies : A reflective building is an e...
      • Overspilling Forms : Unnoticed Displacements/Tensi...
      • Makings~Silent transformations~translations from t...
      • I Belong to the Sky : Dreams leave their nest, Pet...
      • An asperity of thoughts/Vibrant Matter : Braking D...
      • Wayfaring Notes: Material Flows Between Form and E...
      • Towards~Making a holding in place : Tentative Arch...
      • Ceramics and Architecture : Architecting and its e...
      • Spatial Ecologies~Living Chambers. Jozef van Wisse...
    • ►  June (35)
    • ►  May (15)
    • ►  April (15)
    • ►  March (12)
    • ►  February (11)
    • ►  January (8)
  • ►  2025 (83)
    • ►  December (2)
    • ►  November (9)
    • ►  October (5)
    • ►  September (5)
    • ►  August (4)
    • ►  July (12)
    • ►  June (12)
    • ►  May (13)
    • ►  April (9)
    • ►  March (8)
    • ►  February (3)
    • ►  January (1)
  • ►  2024 (97)
    • ►  December (3)
    • ►  November (5)
    • ►  October (5)
    • ►  September (7)
    • ►  August (8)
    • ►  July (6)
    • ►  June (15)
    • ►  May (12)
    • ►  April (16)
    • ►  March (10)
    • ►  February (7)
    • ►  January (3)
  • ►  2023 (159)
    • ►  December (6)
    • ►  November (5)
    • ►  October (4)
    • ►  September (6)
    • ►  August (17)
    • ►  July (20)
    • ►  June (29)
    • ►  May (20)
    • ►  April (14)
    • ►  March (20)
    • ►  February (15)
    • ►  January (3)
  • ►  2022 (139)
    • ►  December (3)
    • ►  November (5)
    • ►  October (10)
    • ►  September (3)
    • ►  August (2)
    • ►  July (8)
    • ►  June (15)
    • ►  May (21)
    • ►  April (8)
    • ►  March (19)
    • ►  February (27)
    • ►  January (18)
  • ►  2021 (147)
    • ►  December (14)
    • ►  November (24)
    • ►  October (20)
    • ►  September (20)
    • ►  August (20)
    • ►  July (18)
    • ►  June (11)
    • ►  May (10)
    • ►  April (3)
    • ►  March (2)
    • ►  February (5)
  • ►  2020 (4)
    • ►  November (2)
    • ►  April (2)
  • ►  2019 (8)
    • ►  July (1)
    • ►  May (1)
    • ►  April (1)
    • ►  February (3)
    • ►  January (2)
  • ►  2018 (12)
    • ►  December (2)
    • ►  June (1)
    • ►  May (4)
    • ►  February (1)
    • ►  January (4)
  • ►  2017 (77)
    • ►  December (1)
    • ►  November (1)
    • ►  October (3)
    • ►  September (2)
    • ►  July (8)
    • ►  June (11)
    • ►  May (8)
    • ►  April (9)
    • ►  March (17)
    • ►  February (8)
    • ►  January (9)
  • ►  2016 (96)
    • ►  December (1)
    • ►  October (3)
    • ►  September (6)
    • ►  July (7)
    • ►  June (4)
    • ►  May (2)
    • ►  April (11)
    • ►  March (1)
    • ►  February (19)
    • ►  January (42)
  • ►  2015 (2)
    • ►  October (2)
  • ►  2014 (92)
    • ►  July (2)
    • ►  June (2)
    • ►  March (9)
    • ►  February (37)
    • ►  January (42)
  • ►  2013 (857)
    • ►  December (29)
    • ►  November (46)
    • ►  October (63)
    • ►  September (57)
    • ►  August (56)
    • ►  July (84)
    • ►  June (87)
    • ►  May (137)
    • ►  April (90)
    • ►  March (99)
    • ►  February (54)
    • ►  January (55)
  • ►  2012 (515)
    • ►  December (42)
    • ►  November (73)
    • ►  October (81)
    • ►  September (68)
    • ►  August (44)
    • ►  July (41)
    • ►  June (42)
    • ►  May (35)
    • ►  April (28)
    • ►  March (22)
    • ►  February (39)
Russell Moreton. Simple theme. Powered by Blogger.