The
peculiarity of the ruin is defined in that it demythologises the
impression of seamlessness and linearity. In the ruin, we are at once
removed from dichotomised and levelled down space by entering a place
at the threshold of experience. At the threshold, we return to the
pre-spatial, if primordial, landscape, yet to submit to the
suppression of space and site. Instead the place of ruin creates
protrusions, which desolates the category of clean space.
The
Aesthetics of Decay, An Uncanny Place. Dylan Trigg
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