Layered Making/Indexical Relationscapes : Interventions into models/stratifications of research

Spatial Apparatuses, Building/Social Devices and Agendas/Rooms

Indexical Relationscapes.

Events as Interventions producing Intraventions from Sociology, Architecture and the Humanities/Contemporary Arts.

Relationscapes

Erin Manning

Movement/Art/Philosophy

 

For Brian.

The self is only a threshold, a door, a becoming between two multiplicities.

Gilles Deleuze and Felix Guattari, A Thousand Plateaus.

Waverley Project : Areas of Project Research. 

The Reading Room (a library of subjective taxonomies on the alchemy of building)

The Listening Room (a soundscape interior in time with its environment)

The Sheltering Corridor (a modernist Stoa as a place for encounters/dialogues)

The Pot Room (a installation of thrown objects creating the interior partitions)

The Empty Studio (a adaptation of architecture through the ritual of creativity)

The Perception of The Environment, Livelihood, Dwelling and Skill. 

Tim Ingold.

Archaeology, Anthropology, Art and Architecture.

Anti-Object.

‘A building intervenes between subject and space.’ Kengo Kuma

Caruso St John : The Phenomenology of Construction  

Things.

‘As found is a small affair, it is about being careful, the as found (is) where the art is in the picking up, turning over and putting with. Things need to be ordinary and heroic at the same time.’ Alison and Peter Smithson

Public Intimacy in Social Spaces.

Architecture and The Contemporary Arts.

Learning through Making, (The Parallel of Life and Art) Anthropology, Archaeology, Art and Architecture.

Visitor’s Centre, with interpretive exhibition (Stonehenge/Denton Corker Marshall) or an immersive intervention (Winchester Cathedral,Anima-Animus/Elferova and Wilson).

A place where the interior space evokes a sense of place/a becoming (Existential, Historical, Social, Cultural) see ‘The Physical Self’ exhibition curated by Peter Greenaway. The Fate of Place/Human Sociology.

A contemplative space or spiritual/secular retreat featuring a series of interventions (Follies/Pavilions/Huts/Heidegger/Tschumi) that focuses the gaze on a particular view or detail, framing a distant reference (landmark or natural phenomenon, research into Lutyen’s ‘Thunder House’ for Gertrude Jekyll).

Museum of Wisdom. Kengo Kuma.

Noh Stage In The Forest. Kengo Kuma.

Hortus Conclusus. Peter Zumthor.

The Solar Pavilion. Alison and Peter Smithson.

The Secular Retreat, Living Architecture. Peter Zumthor.

Heidegger/Hut,

Bachelard/Poetics,

Ingold/Making.

Construct (Definition) DSC_0029
Ann Cline
A Hut of One's Own
Life Outside The Circle of Architecture.

Herzog  and De Meuron
NATURAL HISTORY

Walking and Mapping

Speculative Environments/Ecolects

Spatial Collage/Assemblage : Yellow/Lead/Photography

Fragments and layers from, Winchester Cathedral, Tidbury Ring Geodesic Dome, Star Atlas.  

Brian Clarke. Beauties (from the two Cultures) 1981.

Brian Clarke. The Office of The Dead 2008. 

It was the region, not the nation, which was the motor force of human development; the almost sensual reciprocity between men and women and their surroundings, was the seat of comprehensible liberty and the mainspring of cultural evolution.

Cities of Tomorrow, Peter Hall.1988

Anarchism, A very short introduction, Colin Ward.2004

Foucault, Sexuality and the 'Confessing Animal' 

https://sondermag.wordpress.com/2016/09/02/foucault-sexuality-the-confessing-animal-josh-mcloughlin/

My photographs are part of my way of thinking about and imagining spaces and light, of pondering and approaching an idea. In this case, the photographs generate a way of looking at a structure that exists only in order to provoke a sensorial and intellectual experience.

Cristina Iglesias : METONYMY 2013

https://literarydevices.net/metonymy/

https://www.simplypsychology.org/Zone-of-Proximal-Development.html

fig496 Proximity
10 Days at The Laundry : Winchester UK

Architectural Transposition : Anti-Object
Kengo Kuma's, Transparent and temporary shelter at Waverley Abbey

Possible Worlds
The Sensual Reciprocity of This Enchanted Isle

UCA MA Interior Design 2015

Open Studio/Cyanotypes and Collages : Harleston Revisited/Norfolk and Norwich 2018

Civilizing Rituals
Inside Public Art Museums
Carol Duncan

Julian Stair
Quietus reviewed
Archaeology of an exhibition

Spirituality in Contemporary Art
The Idea of the Numinous
Jungu Yoon

The Aesthetics of Silence
Susan Sontag

A Field Guide To Getting Lost
Rebecca Solnit

Essays On The Blurring Of Art And Life
Allan Kaprow

Ways of Curating
Hans Ulrich Obrist

The Fitzwilliam Museum, Cambridge

On Show : Contemporary ceramics in the Goodison gift in the context of a historic museum collection.

A rare opportunity to hear different perspectives on how the art of display can animate objects and deepen insight into historical collections.

The study day will draw on two current displays exclusive to the Fitzwilliam Museum: the Goodison gift of contemporary ceramics and the exhibition Things of Beauty Growing: British Studio Pottery. Speakers include four internationally-acclaimed UK ceramicists whose work features in both displays: Julian Stair, Carol McNicoll, Philip Eglin and Jennifer Lee. The study day concludes with a conversation between Amanda and Sir Nicholas Goodison, followed by the opportunity to share reflections on the subject.

Art has the power to affect our thinking, changing not only the way we view and interact with the world but also how we create it. In Art and Mind, Ernst van Alphen probes this idea of art as a commanding force with the capacity to shape our intellect and intervene in our lives. Rather than interpreting art as merely a reflection of our social experience or a product of history, van Alphen here argues that art is a historical agent, or a cultural creator, that propels thought and experience forward.
Art in mind : How contemporary images shape thought
Ernst van Alphen

Walking and Mapping
Artists as Cartographers
Karen O'Rourke

A Bigger Splash
Painting after Performance
Catherine Wood 

Postmodern : Contested Landscapes for Melancholy

Postmodern : Ever Changing, Fleeting, Positive, Nihilistic,

"There are no simple concepts. Every concept has components and is defined by them.
It therefore has a combination [chiffre]. It is a multiplicity, although not every multiplicity
is conceptual...
Not only do Descartes, Hegel, and Feuerbach not begin
with the same concept,
they do not have the same concept of beginning...
Every concept has an irregular
contour defined by the sum of its components,
which is why,
from Plato to Bergson,
we find
the idea of the concept being a
matter of articulation,
of cutting and
cross-cutting.
The concept is a whole because it totalizes
its components, but it is
a fragmentary whole.
Only on this condition can it escape the
mental chaos
constantly threatening it, stalking it, trying to reabsorb it."

Gilles Deleuze and Felix Guattari, What is Philosophy?, pp. 15-16.

Melancholy And The Landscape
Locating Sadness, Memory And Reflection In The Landscape
Jacky Bowrin

Path : Analogue Film Process
St Catherine's Hill, Winchester

Anthrocene : Nick Cave and the Bad Seeds, Skeleton Tree.
Walberswick :  Beach Slides/Digital Pinhole

Covehithe : Walking/Thinking/Physical Entanglements in the Landscape
Walking into Emergent Landscapes : Covehithe Beach
The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane

“ Walking was a means of personal myth-making, but it also shaped his everyday longings:
 Edward Thomas not only thought on paths and of them, but also with them.”

“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”

Landscape : Entanglements of Affect

Deeper Darkness, Photographic Memory/Process, Metonymy, Negative,
Analogue, Negated Nocturne. Walking, Others, Presence, Becoming,

Landscapes : entering/intruding/emerging
Pinhole Photography (Holga)

Landscape : Entanglements of Affect/Aesthetics

Nihilistic Aesthetic :  Bleached Cyanotype

https://www.flickr.com/photos/russellmoreton/