Visibility Reconceived : Haptic Vision/Subjective Possibilities, blueprints, paintings, collage.

 

Study Space : Outpost Studios

The Event Of Life Drawing

Haptic Vision

Mattering : Mind-Movement-Material

In and Out of Material. Tony Cragg

Becoming a subject in wonder. Lone Bertelsen

Francesca Woodman's photographs can help us develop a photo-thought that does not conceive of the photograph as a passive “representative image” but as a creative force that can participate in the production of new subjectivities. 

Chaosmosis. Guattari. 1995

What moves as a body.

Returns as a movement of thought.

Relationscapes : Movement-Art-Philosophy. Erin Manning.

When we see a male figure on a pedestal, we ask “who is it?” 

while a female figure prompts the question “what does it represent?” 

Monuments and Maidens : The Allegory of the Female Form. Marina Warner. 1985

Deleuzian accounts of drawing

Sex and gender in Life Drawing

Francesca Woodman : Whirling/Wonder

Equivalence and an intimate mode of noticing details

Manuel Neri : Female/Other (glorified and brutalized)

Ambivalence within hostile intimate relationships/materials

The primacy of drawing, artists and anatomy. Petherbridge.

Cultural Anatomy

The Naked and Nude Posed

Mirror, Fiona Banner. 2007

Modelling Subjectivities

Life Drawing

Popular Culture

Contemporary Art Education

Manuel Neri

The Figure Drawings

Life Drawing

A Body Of Relations

Spatial Apparatuses/Screens and Easels

Painting and drawing the nude : a search for a realism for the body through phenomenology and fine art practice

K Wallis, 2003. PhD thesis

Relational Movements : Temporal foldings and the experience of wonder

Francesca Woodman : Becoming-woman, becoming-imperceptible, becoming-a-subject-in-wonder.

Lone Bertelsen

For Irigaray, Air is the first element, wonder as the first of the passions.

We are not in the presence of a passively representative image, but of a vector of subjectivation.

Guattari

Woodman's work produces an intimate mode of looking, a questioning body on time and space

Intermediaries/Intervals remain after folding subject and object into one another.

Relationscapes : Erin Manning

The Elasticity of Sensation/The Experience of Wonder

Deleuze argues that Bacon is not fascinated by 'movement' as such, but by its effects on an immobile body and with 'interior' and 'invisible forces'.