Erin Manning for Brian Massumi : Sylvian & Fripp - Every colour you are (live '93)

Relationscapes

Erin Manning

Movement/Art/Philosophy

For Brian Massumi

The self is only a threshold, a door, a becoming between two multiplicities.

Gilles Deleuze and Felix Guattari, A Thousand Plateaus.

Surface Membrane : Painting, sensations in material agency/grisaille/landscape

Painting and Mapping/Choreutics : The Numinous

Areas of Grisaille.

Anthropology of Landscape

Christopher Tilley

Kate Cameron-Daum

Spirituality in Contemporary Art

The Idea Of The Numinous

Jingu Yoon

New Global Ecologies

Baratunde Thurston

The Rooms

To Love Is To Live

Jehnny Beth

Painting

We are not in the presence of a passively representative image, but a vector of subjectivation.

Guattari, 1995 :25

https://www.performanceparadigm.net/index.php/journal/article/view/132

Francesca Woodman : becoming-woman, becoming-imperceptible, becoming-a-subject-in-wonder

Lone Bertelsen, 2013

Studio Blackboard

ODYSSEY  Aesthetic Intervals/Timbre/Traces  

Immateriality/Temporal/Transitions material and movement/Human agency

A Species of Spaces

Construction/Making/Collage  

Forming, slowness and repetition, elements of painting

Assemblage, sensation, surface, objects and spaces between them gathered/thresholds

Sheltering/Weathered/ Exploring a fragility of a painting in the landscape

Robert Mangold, Paintings and Architectural Forms

Fragments from sketchbooks

Ephemeral Architecture

Canvas as spatial verb

Yellow Ochre, Molochite, Gesso, Canvas, Paper, Textiles,Wood, Lead, Nails

Canvas as folded construction/shelter/place

Operative Design, A Catalogue of Spatial Verbs

Georg Simmel, text Frames, Handles, Landscapes and the aesthetic ecology of things

Poetics of Space : Gaston Bachelard "The unconscious cannot be civilized"

The Poetics of Space : The house, from cellar to garret. The significance of the hut.

"He will revive the primitivity and the specificity of the fears. In our civilization, which has the same light everywhere, and puts electricity in its cellars, we no longer go to the cellar carrying a candle. But the unconscious cannot be civilized. It takes a candle when it goes to the cellar."

Gaston Bachelard.

Reading Into the Visual : Exploratory Images

Prints From Secrets and Ambiguity

Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an image?

— Jean Baudrillard, The Conspiracy of Art, 2005

Jana Sterbak

Remote Control 1989

A heuristic technique (/hjᵿˈrɪstᵻk/; Ancient Greek: εὑρίσκω, "find" or "discover"), often called simply a heuristic, is any approach to problem solving, learning, or discovery that employs a practical method not guaranteed to be optimal or perfect, but sufficient for the immediate goals.

A Hut of One's Own, Ann Cline

Texts,Annotations, Foundations, Pathways, Corridors, Bookmarks, Walking, Thinking, Ramble, Cross Country, Disciplines, 

Intermezzo : Nomadic Photographic Assemblage

<a href="https://russellmoreton.blogspot.co.uk/" rel="noreferrer nofollow">russellmoreton.blogspot.co.uk/</a>

a thousand plateaus

Deleuze, Guattari

Assemblage

Becoming

Body Without Organs

Nomad

Rhizome

Smooth Space

State

War Machine

The Uberficiation of the University

BY MARK CARRIGAN ON NOVEMBER 22, 2016

The Sharing Economy

Platform Capitalism

Uber.edu

The Reputation Economy

The Microentrepreneur of the Self

The Para-academic

The Artrepreneur

Affirmative Disruption

Interior : Gridshell

Singleton, West Sussex

Covehithe : Walking/Thinking/Physical Entanglements in the Landscape

Walking into Emergent Landscapes : Covehithe Beach

The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane

“ Walking was a means of personal myth-making, but it also shaped his everyday longings:

 Edward Thomas not only thought on paths and of them, but also with them.”

“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”

Assemblage/Design/Collage

Visibility Reconceived : Haptic Vision/Subjective Possibilities, blueprints, paintings, collage.

 

Study Space : Outpost Studios

The Event Of Life Drawing

Haptic Vision

Mattering : Mind-Movement-Material

In and Out of Material. Tony Cragg

Becoming a subject in wonder. Lone Bertelsen

Francesca Woodman's photographs can help us develop a photo-thought that does not conceive of the photograph as a passive “representative image” but as a creative force that can participate in the production of new subjectivities. 

Chaosmosis. Guattari. 1995

What moves as a body.

Returns as a movement of thought.

Relationscapes : Movement-Art-Philosophy. Erin Manning.

When we see a male figure on a pedestal, we ask “who is it?” 

while a female figure prompts the question “what does it represent?” 

Monuments and Maidens : The Allegory of the Female Form. Marina Warner. 1985

Deleuzian accounts of drawing

Sex and gender in Life Drawing

Francesca Woodman : Whirling/Wonder

Equivalence and an intimate mode of noticing details

Manuel Neri : Female/Other (glorified and brutalized)

Ambivalence within hostile intimate relationships/materials

The primacy of drawing, artists and anatomy. Petherbridge.

Cultural Anatomy

The Naked and Nude Posed

Mirror, Fiona Banner. 2007

Modelling Subjectivities

Life Drawing

Popular Culture

Contemporary Art Education

Manuel Neri

The Figure Drawings

Life Drawing

A Body Of Relations

Spatial Apparatuses/Screens and Easels

Painting and drawing the nude : a search for a realism for the body through phenomenology and fine art practice

K Wallis, 2003. PhD thesis

On The Beach : Photographic Clouds of Potentialities/Boundary Based Agency

Inside Phenomena/Catching The Light
Wind Turbines : Coastal Geometries/Machines
North Sea Rim
Sea Palling
Visual Device : Textual Intervention

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times

Existential Gestures : Looking away from the sea
Low Tide
Lightness
Quickness
Exactitude
Visibility
Multiplicity
CONSISTENCY/Guattari
The Three Ecologies

Italo Calvino
Six Memos for  the Next Millennium

Locality/Social Complexity- Notebooks
Flux : Consciousness
In and Out of Material
Beach

What is philosophy/Deleuze, Guattari : The unfolded garment and other spatial concepts

 Intermezzo : Nomadic Photographic Assemblage

What is philosophy/Deleuze, Guattari 

a thousand plateaus

Deleuze, Guattari

Assemblage

Becoming

Body Without Organs

Nomad

Rhizome

Smooth Space

State

War Machine

The Uberficiation of the University

BY MARK CARRIGAN ON NOVEMBER 22, 2016

A fascinating short book by Gary Hall, available open access at the Coventry University repository: 

The Sharing Economy

Platform Capitalism

Uber.edu

The Reputation Economy

The Microentrepreneur of the Self

The Para-academic

The Artrepreneur

Affirmative Disruption

The unfolded garment and other spatial concepts

The Unfolded Garment

Embracing Subjectivity

Pierced Assemblage on Photogram

Espace-Milieu, Winchester Cathedral.

Painting evolved from Space for Peace, Winchester Cathedral. Site drawing from architectural plan and documentation of people moving within the event.

aerial, cathedral, cyanotype, public gathering, 

spatial mapping, palimpsest, drawing, lightness

What is Philosophy?

Gilles Deleuze, Felix Guattari

Their book is a profound and careful interrogation of what it might mean to be a 'friend of wisdom', but it is also a devastating attack on the sterility of what has become, when 'the only events are exhibitions and the only concepts are products which can be sold'. Philosophy, they insist, is not contemplation, reflection or communication, but the creation of concepts

"into a universe of creative enchantments" Guattari

 The French thinker Felix Guattari, in a powerful historical essay, has asked some fundamental questions about the direction in which the century and its achievements in technology are taking us; he calls for a new vitality in the relations between individuals and the language of the culture they inhabit:' Unconscious figures of power and knowledge are not universals. They are tied to reference myths profoundly anchored in the psyche, but they can still swing around toward liberatory paths/voices.' He too sketches the possibility of a utopia, dreaming of 'transforming this planet - a living hell for over three quarters of its population - into a universe of creative enchantments'.

Marina Warner, From the Beast to the Blonde (p418)