Reading : Slow Philosophy
With Fire, Richard Hirsch
A Life Between Chance and Design (invites the unknown)
Scott Meyer 2012
Hirsch takes us to the heart of the interface between ageless earth and the spare evidence of the rhythm of human utility
Raku as an Ideology
Breath-Energy-Immanence
Raku, A Review of Contemporary Work
Tim Andrews 1994
The Poetry of The Vessel
A calm invitation to thought and imagination
Chris Tyler
The vessel (making, thinking, subject) as both a historically grounded form, and a vehicle to examine abstract aspects of the physical body and the natural world
Arte Povera/Germano Celant, an aesthetic-philosophical movement
An eclectic synthesis of knowledge fields, that emerges into a total space where disparate categories can meet; a art that asks only for the essential information, that refuses the dialogue with the social and cultural system, and aspires to present itself as something sudden and unforeseen
Materials are substances in becoming
Karen Barad
Towards an Ecology of Materials
Tim Ingold 2012
From the 'objectness' of things to the material flows and formative processes wherein they come into being. It means to think of making as a process of growth or ontogenesis
Materials-Centered Perspective
Making, almost defies precise definition
The composition and/or manipulation of materials that bring into being new or revised objects
Tim Ingold 2010
Cultures of thrift and scavenging, maintenance and repair
Making encompasses the ingenuity of fluid, locally situated and adapted technologies
Materials carry on overtaking the formal destinations that, at one time or another, have been assigned to them
Sensibilities and dispositions that are centred on a deep and considered relationship with materials
The Craftsman, Richard Sennett 2008
Crafting, often reconnects mind and body in the sites and processes of production, thereby potentially reconstituting labour processes in ways that ascribe agency to workers
Makers finding ways to resist norms of gender and neoliberal entrepreneurial subjectivities, finding ways and spaces for ethical practice to predominate
Contemporary conceptual ceramics operates at the permeable boundary between art and craft, partaking of aspects of both, and ultimately demonstrating (or performing) that permeability
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