On the nature of photography
Alternative Photographic Processes
MOLECULAR SIEVE, is a performative analysis of “this place” utilising the simple properties of the pinhole camera. This appropriated apparatus makes visible the extrusive nature of time as it is deposited on the photographic surface. The extended durations required to register “place” impart a sense of dwelling as recorded by the apparatuses passive gaze. These surfaces record and register a relation constructed by the architecture of the chamber and what is beyond it. Movements when visible appear as simple abbreviated enactments caught like inclusions within this consolidated and timely consolation of place.
Contexts:
Community , Conference / Symposium , Socially Engaged
Artforms:
Performance , Architecture , Photography , Installation
Tags:
10 Days Winchester, pinhole photography, creative arts research,
spatial practices, social apparatuses, event, fallow site
Film based inquiry into analogue based darkroom processes and timed intervals of exposures.
Work staged within the initial developing spaces for 10 days in the laundry, Winchester.
Contexts:
Community , Public art
Artforms:
Performance , Installation , Photography
Tags:
10 Days in the Laundry, Winchester, fallow site, analogue, pinhole camera, daylight, interior, semblances, exploratory, documentation, agency
Camera obscura
Liquid Light Emulsion
Photograms
Analogue and Digital Hybrid Printing
Cyanotypes
Pinhole Cameras
alternative photographic processes, liquid light, photograms,
textual, light writing, collage, experimental, analogue, filmic,
KONTAKTE : THESE MACHINES
Alternative photographic photograms and collages for the CD artwork
to promote the ambient music of Kontakte.
Limited edition CD artwork, and booklet.
Contexts:
Commission , Design , Public art
Artforms:
Book works , Illustration , Photography
Tags:
KONTAKTE, ambient music, CD artwork, alternative photography, photograms, collage, These Machines, Nuclear Winter
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