Showing posts with label Charles Jencks. Show all posts
Showing posts with label Charles Jencks. Show all posts

Friday, 25 August 2023

Collage/Abstraction/Assemblage/Beyond Discourse : Architectural Plan/ Library/Victorian Corset/Blueprint/Spatial Frame

Postmodernity is no more than 'modernity' without illusions
Zygmunt Bauman

We are less interested in whether we are living in a critical or post-critical era, because these terms circle round each other. Indeed, it is the fate of all 'post' terms (postmodern, post-critical, post-theoretical) that they never escape the hold of the condition that they would wish to succeed.


On Discourse

From a sociological point of view, discourse includes all that a particular category of agents say (or write) in a specific capacity and in a definable thematic area. Discourse commonly invites dialogue, but discourse is not open to everyone, but based on social appropriation and a principle of exclusion.
Beyond Discourse : Notes on Spatial Agency. Tatjana Schneider and Jeremy Till.


Blueprint, Photogram and Collage
Collage : Diversions/Contradictions/Anomalies
Collage and Architecture








https://www.flickr.com/photos/russellmoreton/


a thousand plateaus
Deleuze, Guattari

http://www.rhizomes.net/issue5/poke/glossary.html

Assemblage

The beauty of the assemblage is that, since it lacks organization, it can draw into its body any number of disparate elements. The book itself can be an assemblage, but its status as an assemblage does not prevent it from containing assemblages within itself or entering into new assemblages with readers, libraries, bonfires, bookstores, etc.


Becoming
Body Without Organs
Nomad
Rhizome
Smooth Space
State
War Machine

Camera Obscura : Reflections and the dark room.

The Library : A Meditation on the Human Condition (Giacometti, artist-philosopher)





Books can step up to us- into us- in many ways.
Voices from Chernobyl by Svetlana Alexievich was for me that rare precipitate force which calls another book into being.

Mario Petrucci, Heavy Water, a poem for Chernobyl.

Paths and Boundaries : Stonehenge

Postmodern : Ever Changing, Fleeting, Positive, Nihilistic,

"There are no simple concepts. Every concept has components and is defined by them.
It therefore has a combination [chiffre]. It is a multiplicity, although not every multiplicity
is conceptual...
Not only do Descartes, Hegel, and Feuerbach not begin
with the same concept,
they do not have the same concept of beginning...
Every concept has an irregular
contour defined by the sum of its components,
which is why,
from Plato to Bergson,
we find
the idea of the concept being a
matter of articulation,
of cutting and
cross-cutting.
The concept is a whole because it totalizes
its components, but it is
a fragmentary whole.
Only on this condition can it escape the
mental chaos
constantly threatening it, stalking it, trying to reabsorb it."


-- Gilles Deleuze and Felix Guattari, What is Philosophy?, pp. 15-16.

Footnote

Critical Modernism, where is post-modernism going?
The Garden of  Cosmic Speculation
Charles Jencks

















Monday, 4 April 2022

Simplicity and Complexity : Artist/Archivist (playing/thinking with material practices)

Archive Research Material
Developing non-linearity/entanglements throughout creative practice

Curiously, we live in a conflicted time of both accelerated change and business-as-usual, a time of both transformation and stagnation. For the first time in history we have a global network that is in constant and instant communication with itself-everywhere. We have the much examined problems of ecological stress, urban alienation, and spiritual confusion.
The Architecture Of The Jumping Universe, Charles Jencks.

Emergence/Self Organisation
Maternal Body : Clay Impression and Fragmented Form

Pastoral Space: Material, Inquiry and Craft.

Material Agency : Carl Knappett, Lambros Malafouris
Visualising Environmental Agency

"Agents are defined as persons or things, which have the ability and intention to "cause" something "in the vicinity" or "in the mileau" to happen ( Gell 1998)"
"These latter artefacts are described with the term "index", to remove the appellation "art" and to imply that they are indexes of agency."
Some Stimulating Solutions, Andrew Cochrane.

1000 "pots" performative site 2011. The Yard, Winchester.


Auguries into the maternal body. Un-fired clay and silica sand.

Constructed in-situ at the Yard, Winchester.
A life-size record and memory of a human presence as a site for mutual introspection.

Inspired in part from the novel  " The  Children of Men "  by P D James.

CLAY : Speculative City : From Pilgrim to Tourist
From Pilgrim To Tourist (or a short history of identity). Zygmunt Bauman.

Clay drawing/situation/collage based on a performative script/reading.

Human trace drawing with unfired clay bodyscape

Artist Statement/Chapel Arts Residency

Practitioner using the creative receptiveness of material together with the inclusion of drawing to harbour transits and passages of human presence, vulnerabilities centred around the human condition. My work adopts strategies which articulate a sense of absence and anonymity within the abandonment of the work to its location. I feel drawn to this registering of passage, encounter together with its farewell. The choice of materials gathered together implies a personal geography, with both an emotional and aesthetic sense of locality and place. The performative recording by physical means which renders itself as a trace of human presence, now becomes a vacant territory open for the consideration of others.
My work continues to investigate this sense of material response with the performative trace of a human absences. The place-ment of these acts attempts to promote thresholds from which to reflect upon spatial, sociological and psychological conditions and perceptions.
Currently working in clay, low fired to produce and promote a fragile vessel. This vessel is installed to act as a dwelling presence reverberating in a resting place. from which work is drawn into the human form to register a surface of absences resulting from past gestures and solitudes.

Russell Moreton a visual artist uses simple gestures of drawn Human traces gathered and presented amongst natural materials. Exploring themes around the Human condition, vulnerability and abandonment. Materials are employed to further underpin our sense of place and time. The act and gesture of drawing adds a ephemeral mark amongst the materiality and locality of place. Currently using clay to register these themes, installing work Augury Vessel into Chapel Arts as part of their research residency programme.

Reflective Journal/Spatial Practices
Spatial/Visual Coordinates

https://www.pinterest.co.uk/russellmoreton/